Items where Subject is "704 Special topics in fine & decorative arts"

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Number of items at this level: 109.

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Bassenger, Chez, Baxter, Zachary, Carrodus, Rory, Dunn, Phoebe, Gibson, Emily, Hick, Louise, Kenny, Abigail, Seed, Jamie, Shaw, Max, Toma, Lucian and Townsley, Brooke (2023) MA Creative Practice Showcase: MERAKI. [Show/Exhibition] In: MA Creative Practice Showcase: MERAKI, 18 September - 6 October 2023, Vallum Gallery, University of Cumbria, Carlisle, UK. (Unpublished)
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Bonner, Sarah ORCID logo ORCID: https://orcid.org/0000-0002-4006-5349 (2006) Art of the fairy tale. In: Art of the Fairy Tale from Grimm to Shrek and All the Ogres in Between, 28-29 April 2006, Kent State University Ashtabula, US. (Unpublished)

Bonner, Sarah ORCID logo ORCID: https://orcid.org/0000-0002-4006-5349 (2014) Beneath antique lace moons. In: Kelley, Kelli Scott, (ed.) Accalia and the swamp monster. Louisiana State University Press, Baton Rouge, Louisiana, US.
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Bonner, Sarah ORCID logo ORCID: https://orcid.org/0000-0002-4006-5349 (2017) Girl acting out: revisiting the fairy tale futures of Little Red Riding Hood and Snow White. In: Wilson, Stephen and Jaffe, Deborah, (eds.) Memories of the future: on countervision. Cultural memories series, 6 . Peter Lang, Bern, Switzerland, pp. 85-103.

Bonner, Sarah ORCID logo ORCID: https://orcid.org/0000-0002-4006-5349 (2014) Happily ever after? Visions of a fairy tale dystopia in the contemporary visual arts. In: Memories of the future, 2-3 May 2014, Chelsea College of Arts (UAL) & Institute of Modern Languages Research, UK. (Unpublished)
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Bonner, Sarah ORCID logo ORCID: https://orcid.org/0000-0002-4006-5349 (2015) Snow White's apple: femininity, fine art and other readings. In: Eating otherwise: an interdisciplinary symposium on food and culture, 28 February - 1 March 2015, Lancaster University, UK. (Unpublished)
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Bonner, Sarah ORCID logo ORCID: https://orcid.org/0000-0002-4006-5349 (2019) Tales retold: fairy tales in contemporary European visual art. In: Teverson, Andrew, (ed.) The fairy tale world. Routledge worlds series . Routledge, Taylor & Francis, Abingdon, UK.
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Bonner, Sarah ORCID logo ORCID: https://orcid.org/0000-0002-4006-5349 (2006) Visualising Little Red Riding Hood. In: The Mind's Eye: Perspectives on Word and Image, February 2006, University College London, UK. (Unpublished)

Bonner, Sarah ORCID logo ORCID: https://orcid.org/0000-0002-4006-5349 (2006) Visualising Little Red Riding Hood. Moveable Type, 2 . The Mind's Eye.
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Bonner, Sarah ORCID logo ORCID: https://orcid.org/0000-0002-4006-5349 (2017) When the clock strikes twelve: the unexpected transformations of Cinderella. In: Cinderella conference 2017: All about Cinderella: retellings in the cultural imagination, 9-10 June 2017, University of Bedfordshire, UK. (Unpublished)
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Cookson, Poppy (2019) A sensory enquiry into non-human categories (2019). [Show/Exhibition] In: Young Cumbrian Artist of the Year 2019, 21 March - 25 April 2019, Vallum Gallery, Institute of the Arts, University of Cumbria, Carlisle, UK.
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Darwell, John ORCID logo ORCID: https://orcid.org/0000-0002-8746-5315 (2014) Chernobyl volume 2. Chronicles, III . The Velvet Cell, Osaka, Japan.
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Darwell, John ORCID logo ORCID: https://orcid.org/0000-0002-8746-5315 (2018) How to survive as an artist within a rural environment. In: Platform: Northwest Arts Development Lab, 5-7 October 2018, Signal Film & Media, Barrow-in-Furness, UK. (Unpublished)

Darwell, John ORCID logo ORCID: https://orcid.org/0000-0002-8746-5315 (2018) The dog walkers. In: Living with Animals Conference: Some We Love, Some We Hate, Some We Eat, Some We Need, 21-23 March 2019, Eastern Kentucky University, Richmond, KY, US. (Unpublished)

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Fowler, Martin ORCID logo ORCID: https://orcid.org/0000-0002-0128-4231 (2019) Supermarket. [Show/Exhibition] In: Supermarket, 13-18 April 2019, The Market Hall, Carlisle, UK.
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Fraser, Harriet ORCID logo ORCID: https://orcid.org/0000-0002-2490-3496 (2024) ‘on/going’ - Poetry in Place: Using art to explore landscape change in the Ullswater Valley. In: Understanding Ullswater Evening Talks, 10 July 2024, Watermillock Village Hall, Pooley Bridge, UK and online. (Unpublished)

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Harrison, Laura M.R. (2016) In lostness possibilities are found. In: NAFAE Conference: “Research Practice Practice Research’, 15-16 July 2016, Lancaster, UK. (Unpublished)
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Haynes, Jackie (2016) Smells like Kurt’s spirit: a sensory exploration of Kurt Schwitters’ spirited legacy of Merz. In: NAFAE Conference: “Research Practice Practice Research’, 17-18 July 2016, Lancaster, UK. (Unpublished)
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Hunter, Roddy ORCID logo ORCID: https://orcid.org/0000-0002-5298-7789 (2019) Curating the eternal network after globalisation. Doctoral thesis, University of Dundee.
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Lean, Patti (2016) Augury, noctilucence and de-severance: uncanniness in northerly landscapes. In: NAFAE Conference: “Research Practice Practice Research’, 15-16 July 2016, Lancaster, UK. (Unpublished)
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Lean, Patti and Phillips, Kevin (2009) Memory's images. Unipress Cumbria, Lancaster, UK.

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Mitchell, Rosie (2017) Portuguese art: Portuguese azulejo. In: Donne, Elisabetta Delle, (ed.) Fine arts in Europe: the last 10 centuries. Michelangelo Project / Pixel, [online], pp. 341-360. (Unpublished)
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Perez, David Michael and Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2014) Everyday ecologies: the art of father-and-son Robert Williams and Jack Aylward-Williams. Kindling Quarterly, 6 . pp. 36-43.
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Sanders, Dawn, Nyberg, Eva, Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 , Eriksen, Bente and Brkovic, Irma (2017) Beyond plant blindness: seeing the importance of plants for a sustainable world. In: State of the World’s Plants Symposium, 25-26 May 2017, Royal Botanic Gardens Kew, London, UK. (Unpublished)
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) After nanoq: flat out and bluesome: a cultural life of polar bears: displacement as a colonial trope and strategy in contemporary art. In: Convery, Ian, Corsane, Gerard and Davis, Peter, (eds.) Displaced heritage: responses to disaster, trauma and loss. Heritage matters . The Boydell Press, Woodbridge, UK, pp. 293-302.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2012) Animal matters. [Show/Exhibition] In: Animal matters, 11 May - 24 August 2012, Sverdrup Gallery, University of Oslo.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) Borrowed time: Icelandic artists look forward. [Show/Exhibition] In: Borrowed Time: Icelandic Artists Look Forward, 15 October 2016 – 2 November 2017, Scandinavia House, New York, US.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) Dead animals: the curious occurrence of taxidermy in contemporary art. [Show/Exhibition] In: Dead Animals: the curious occurrence of taxidermy in contemporary art, 23 January - 27 March 2016, Bell Gallery, Brown University, Providence, US.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2018) Feral attraction: the museum of ghost ruminants. [Show/Exhibition] In: Feral attraction: the museum of ghost ruminants, 1 June 2018 - 1 July 2019, Hnjótur Museum, Iceland.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) Feral attraction: the museum of ghost ruminants. [Show/Exhibition] In: Feral attraction: the museum of ghost ruminants, 5-28 February 2016, Listasafn ASI, Reykjavík, Iceland.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2017) Interviewee: The Harrisons; Interviewer: Snæbjörnsdóttir/Wilson. Antennae: the journal of nature in visual culture, 39 . pp. 84-102.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) Islenskir fuglar. [Artefact]
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) Late harvest. [Show/Exhibition] In: Late harvest, 27 September 2014 - 18 January 2015, Nevada Museum of Art, Reno, NV, US.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) Matrix #1. [Artefact]
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2015) Repairing the disembodied mind: art practice, research and new knowledge. In: Guðnadóttir, Hulda Rós, (ed.) Keep frozen: art practice as research - the artist’s view. Útúrdúr, Reykjavík, Iceland, pp. 8-17.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) RÍKI - flóra, fána, fabúla / KINGDOM - flora, fauna, fable. [Show/Exhibition] In: RÍKI - flóra, fána, fabúla / KINGDOM - flora, fauna, fable, 28 May - 18 September 2016, Listasafn Reykjavikur (Reykjavík Art Museum Hafnarhús), Reykjavík, Iceland.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) Safe passage to the promised land. [Show/Exhibition] In: The Luck of Eden Hall, 19-26 March 2014, The Old Fire Station, Carlisle, UK.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2018) Shooting the Messenger (Matrix #2). [Artefact]
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) Trout fishing in America and other stories. [Show/Exhibition] In: Trout fishing in America and other stories, 3 October 2014 - 17 January 2015, Arizona State University (ASU) Art Museum, Tucson, USA.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) Vanishing point: where species meet. [Show/Exhibition] In: Vanishing point: where species meet, 20 January - 20 February 2014, State Darwin Museum, Moscow, Russia.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) View from up here: the Arctic at the center of the world. [Show/Exhibition] In: View From Up Here: The Arctic at the Center of the World, 6 May - 18 September 2016, Polar Lab, Anchorage Museum, Alaska.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) You must carry me now. [Show/Exhibition] In: Infinite Next, 7 May - 19 June 2016, Nýlistasafnið (The Living Art Museum), Reykjavík, Iceland.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) You must carry me now. [Show/Exhibition] In: Ákall / Challenge: Art in the Service of Sustainability, July 2016, United Nations, New York, US.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2015) You must carry me now. [Show/Exhibition] In: Carlisle Photo Festival: Visualising the animal exhibition, 27 April - 16 May 2015, Carlisle, UK.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) You must carry me now. [Artefact]
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) You must carry me now: the cultural lives of endangered species. [Show/Exhibition] In: Trout fishing in America and other stories, 3 October 2014 - 17 January 2015, Arizona State University Museum of Art, Phoenix, US.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2015) Ákall / Challenge. [Show/Exhibition] In: Ákall / Challenge, 24 January - 23 April 2015, Listasafn Árnesinga Art Museum, Hveragerði, Iceland.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) Þín samsetta sjón [Your compound view]. [Show/Exhibition] In: Þín samsetta sjón: úrvalsverk úr safneigninni 1970-2010, 24 May - 7 September 2014, Listasafn Reykjavíkur [Reykjavík Art Museum], Iceland.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2006) nanoq: flat out and bluesome. [Artefact]
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2017) nanoq: in conversation. In: Aloi, Giovanni, (ed.) Antennae 10: a decade of art and the non-human: 07-17. Giovanni Aloi, Chicago, IL, US.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2018) The only show in town. In: INSIDE/OUT Lecture Series, 24 October 2018, Leeds Beckett University, UK. (Unpublished)
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) A safe passage. Tierstudien, 06 . pp. 139-146.
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Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 , Boetzkes, Amanada, Wolfe, Cary, Broglio, Ron, Sigurjónsdóttir, Æsa and Laszlo, Fröydi (2015) You must carry me now: the cultural lives of endangered species. Forlaget 284, Gothenburg, Sweden.
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Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and O’Reilly, Kira (2017) Falling asleep with a pig. In: Aloi, Giovanni, (ed.) Antennae 10: a decade of art and the non-human: 07-17. Giovanni Aloi, Chicago, IL, US.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2015) #AMIF2015 (Artists Moving Image Festival). [Show/Exhibition] In: Artists Moving Image Festival 2015 (#AMIF2015), 12-13 September 2015, Glasgow, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2015) The Fisher Street social. [Show/Exhibition] In: The Fisher Street Social, 1-4 August 2015, Carlisle, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2013) Outside Bleak House: a transcript of sorts. In: Briggs, Kate and Russo, Lucrezia, (eds.) The Nabokov Paper. Information as Material, Manchester, UK, pp. 36-37.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2018) Peter & nou. Good Press, Glasgow, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2016) Peter (2014) [screening]. [Show/Exhibition] In: Transit #3: And everything crooked will become straight, 17-20 March 2016, Peña /CCA Glasgow /The Glad Cafe, Glasgow, UK. (Unpublished)
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2014) 'Peter' premiere. [Show/Exhibition] In: 12th International Signes de Nuit, 15-21 September 2014, Studio des Ursulines & Institut Finlandais, Paris, France.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2015) 'Peter' screening and Q&A session. [Show/Exhibition] In: 31st Hamburg International Short Film Festival, 9-13 June 2015, Hamburg, Germany.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2016) Screen Saver (Buzz). [Artefact]
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2016) Screen Saver (Sizzle). [Artefact]
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2015) 'Teeth' screening. [Show/Exhibition] In: Film Open, 1-4 May 2015, Spike Island, Bristol, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2015) 'Teeth' screening. [Show/Exhibition] In: Film Open: Digbeth First, 7 August 2015, Eastside Projects, Birmingham, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2015) 'Teeth' screening. [Show/Exhibition] In: Film Open, 22 October 2015, Castlefield Gallery, Manchester, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2015) 'Teeth' screening. [Show/Exhibition] In: Artists’ Film Club: Film Open, 11 November 2015, ICA, London, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2015) 'Teeth' screening. [Show/Exhibition] In: Film Open, 10 December 2015, S1 Artspace, Sheffield, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2015) Vicki and Alex, like the clouds. [Show/Exhibition] In: Caldewgate 1990-2015, 17-30 July 2015, University of Cumbria Institute of the Arts, Carlisle, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2016) White wash death watch. [Show/Exhibition] In: 16th Glasgow Short Film Festival, 16-20 March 2016, Glasgow, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2015) White wash death watch (2016) [film]. [Artefact]
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2013) The Women: 8 Films - an explanation, of sorts. In: Cumbria Doctoral Colloquium, 1-4 July 2013, University of Cumbria, Lancaster, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2016) The penetrable screen. In: NAFAE Conference: “Research Practice Practice Research’, 15-16 July 2016, Lancaster, UK. (Unpublished)
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2013) The ugly construction of beauty. In: MOD ART '13 (Modern Art Conference on Beauty and Ugliness), 28 November 2013, Istanbul, Turkey.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2013) The women. [Show/Exhibition] In: The Women, 8-20 March 2013, Patricia Fleming Projects, Glasgow, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2014) The women: PULSE. [Show/Exhibition] In: Picture Window, 26 July - 3 August 2014, Glasgow, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 , Briggs, Kate and Russo, Lucrezia (2013) Outside Bleak House: a transcript of sorts. [Show/Exhibition] In: The Nabokov Project: An Experiment in Novel Reading, 26 October - 22 November 2013, Shandy Hall, York, UK.
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Willenfelt, Johanna (2016) Writing the pain of others: a stroll with disturbances: rethinking ethical agency by the way of practice-based research. In: NAFAE Conference: “Research Practice Practice Research’, 15-16 July 2016, Lancaster, UK. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2017) The Calvariae Disjecta project within the context of collecting as an artistic enquiry. In: Department of Social and Cultural Anthropology Lecture, 17 January 2017, University of Frankfurt, Germany. (Unpublished)

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2017) Calvariae Disjecta: the many hauntings of Burton Agnes Hall. [Show/Exhibition] In: Calvariae Disjecta exhibition, 22 April 2017, Burton Agnes Hall, East Riding of Yorkshire, UK. (Unpublished)

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2017) Cumbrian Alchemy Robert Williams & Bryan McGovern Wilson (2013-2016). In: University of Cumbria Research & Innovation Conference: Achievement, Impact and Potential, 7 July 2017, Lancaster, UK. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2016) DM: A Taxonomy of Ghosts. [Show/Exhibition] In: ExtraNaturel: A voyage of initiation through the collection of the Beaux-arts de Paris, 17 May - 14 July 2016, Ecole des Beaux-Arts, Paris, France. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2015) Mark Dion: The Academy of Things. In: Curiosity 2.0: Die Wunderkammer in der zeitgenössischen Kunst [The Cabinet of Curiosities in Contemporary Art], 16-17 January 2015, Hochschule für Bildende Künste, Dresden, Germany. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2016) Paint her to your own mind. [Show/Exhibition] In: Paint her to your own mind, 9 July - 12 November 2016, Shandy Hall, Coxwold/ Constantine Gallery, Middlesborough/ Model Gallery, Leeds. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2016) Phantasmagoria: projects dealing with the supernatural. In: Zoëtrope Sun: a festival by Arts, Letters and Numbers, 23 July 2016, Averill Park, Albany, NY, US. (Unpublished)

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2016) Phantasmagoria: projects dealing with the supernatural. In: Mildred’s Lane Public Saturday, 6 August 2016, Beach Lake, Pennsylvania, US. (Unpublished)

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2019) Spectral animal stewards as companions of the atomic priest within the Cumbrian Alchemy project. In: Folk Horror in the Twenty-first Century, 4-6 September 2019, Falmouth University, Penryn, UK. (Unpublished)

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2013) Wilder talents (even): uncanny talking animals. In: Dodds, Andrew, (ed.) I, Sparkie. Information as Material, York, UK.
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2015) The Wunderkammer from pre-Enlightenment to contemporary art. In: Die Wunderkammer in der zeitgenössischen Kunst, 16-17 January 2015, Höchschüle für Bildendenkunst, Dresden, Germany. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2023) The alchemist’s shack. [Show/Exhibition] In: Prima Materia: The Periodic Table in Contemporary Art, 5 February - 27 August 2023, The Aldritch Contemporary Art Museum, Connecticut, US.
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and McGovern Wilson, Brian (2015) Cumbrian alchemy (2012-2014) [installation]. In: Constructing Memory: an International Conference and Debate on the Preservation of Records, Knowledge and Memory (RK&M) of Radioactive Waste across Generations, 15-17 September 2014, Centre Mondial de la Paix, Verdun, France.
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and McGovern Wilson, Bryan (2015) Cumbrian alchemy (2012-2014). In: Radioactive waste management and constructing memory for future generations: Proceedings of the International Conference and Debate 15-17 September 2014 Verdun, France. Organisation for Economic Co-operation and Development (OECD) / Nuclear Energy Agency (NEA), Paris, France, pp. 111-116.
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Wilson, Bryan McGovern (2016) Cumbrian alchemy. In: Carpenter, Ele, (ed.) The Nuclear Culture Source Book. Black Dog, London, UK, 070-198.
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2019) On the oblique imperative: what revealing conceals and concealing may reveal. In: Nevin, Owen, Convery, Ian and Davis, Peter, (eds.) The bear: culture, nature, heritage. Heritage Matters, 22 . Boydell Press, Woodbridge, UK.

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2015) After Biopolitics in contemporary art. [Show/Exhibition] In: 29th Annual Society for Literature, Science and the Arts (SLSA) Conference: After Biopolitics, 12-15 November 2015, Rice University, Houston, TX, US.
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2017) Beyond plant blindness. [Show/Exhibition] In: Beyond plant blindness, 12 April - 15 September 2017, Botaniska (Gothenburg Botanical Garden), Gothenburg, Sweden.
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2015) Caldewgate 1991-2015. [Show/Exhibition] In: Caldewgate 1991-2015, 17-30 July 2015, Carlisle, UK.
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2016) Ecologies of uncertainty: nanoq and the indeterminate north. In: Decker, Julie and Anderson, Kirsten J., (eds.) Up here: the north at the centre of the world. University of Washington Press / Anchorage Museum, Seattle, US, pp. 81-93.
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2015) Larsen's lost water. [Show/Exhibition] In: Larsen's Lost Water, 12 November - 11 December 2015, Wimbledon College of Arts, London, UK.
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2015) Mark Wilson and Bryndís Snæbjörnsdóttir. In: Frisk, Henrik, Johansson, Karin and Lindberg-Sand, Åsa, (eds.) Acts of creation: thoughts on artistic research supervision. Brutus Östlings Bokförlag Symposium, Höör, Sweden.

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2015) Sjónarhorn [Points of view]. [Show/Exhibition] In: Sjónarhorn [Points of View], 18 April 2015 - present, Safnahúsið, Reykjavík, Iceland.
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 , Snaebjornsdottir, Bryndis and Aloi, Giovanni (2008) Nanoq: in conversation. Antennae: the journal of nature in visual culture (6). pp. 28-34.
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 , Snaebjornsdottir, Bryndis and Byatt, Lucy (2008) Flat out and bluesome. Antennae: the journal of nature in visual culture, 1 (6). pp. 21-27.
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snæbjörnsdóttir, Bryndís (2022) Art, belonging, and sense and to whom nonsense belongs. In: Häggström, M. and Schmidt, C., (eds.) Relational and Critical Perspectives on Education for Sustainable Development. Sustainable Development Goals Series . Springer, Cham, Switzerland, pp. 19-32.

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snæbjörnsdóttir, Bryndís (2016) Feral attraction: the museum of ghost ruminants. [Artefact]
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snæbjörnsdóttir, Bryndís (2018) Searching for Stipa: an installation. In: Beyond plant blindness: where can a single plant take you, 10 November 2018, Hus B Pedagogen, University of Gothenburg, Sweden. (Unpublished)

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snæbjörnsdóttir, Bryndís (2014) Trout Fishing in America and other Stories. [Artefact] (Unpublished)
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snæbjörnsdóttir, Bryndís (2019) You must carry me now, 2015. Tierstudien, 16 . pp. 157-168.
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 , Snæbjörnsdóttir, Bryndís and Guðnadóttir, Hulda Rós (2019) Feral attraction: the museum of ghost ruminants. Forlaget 284, Gothenburg, Sweden.
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This list was generated on Wed Nov 20 09:27:42 2024 UTC.