Items where Subject is "701 Philosophy of fine & decorative arts"
- Dewey Subject Headings (45)
- 700 ARTS & RECREATION (INCL. SPORT) (45)
- 700 ARTS & RECREATION (collections, philosophy & education) (45)
- 701 Philosophy of fine & decorative arts (45)
- 700 ARTS & RECREATION (collections, philosophy & education) (45)
- 700 ARTS & RECREATION (INCL. SPORT) (45)
Group by: Authors | Item Type
Jump to: Article | Conference or Workshop Item | Book | Book Section | Thesis/Dissertation | Artefact | Show/Exhibition
Number of items at this level: 45.
Article
Grimwood, Tom
ORCID: https://orcid.org/0000-0001-8099-6191
(2016)
The meaning of clichés.
Diacritics, 44
(4).
pp. 90-113.
Harris, Ian
(2007)
Landscape aesthetics and environmentalism: some observations on the representation of nature in Buddhist and western art.
Contemporary Buddhism, 8
(2).
pp. 149-168.
Wilson, Mark
ORCID: https://orcid.org/0000-0003-4123-2118
, Snaebjornsdottir, Bryndis and Aloi, Giovanni
(2008)
Nanoq: in conversation.
Antennae: the journal of nature in visual culture
(6).
pp. 28-34.
Wilson, Mark
ORCID: https://orcid.org/0000-0003-4123-2118
, Snaebjornsdottir, Bryndis and Byatt, Lucy
(2008)
Flat out and bluesome.
Antennae: the journal of nature in visual culture, 1
(6).
pp. 21-27.
Conference or Workshop Item
Bonner, Sarah
ORCID: https://orcid.org/0000-0002-4006-5349
(2015)
Snow White's apple: femininity, fine art and other readings.
In: Eating otherwise: an interdisciplinary symposium on food and culture, 28 February - 1 March 2015, Lancaster University, UK.
(Unpublished)
Bonner, Sarah
ORCID: https://orcid.org/0000-0002-4006-5349
(2017)
When the clock strikes twelve: the unexpected transformations of Cinderella.
In: Cinderella conference 2017: All about Cinderella: retellings in the cultural imagination, 9-10 June 2017, University of Bedfordshire, UK.
(Unpublished)
Fowler, Martin
ORCID: https://orcid.org/0000-0002-0128-4231
(2024)
Know Thyself: The stories we tell ourselves about ourselves.
In: National Association for Fine Art Education NAFAE Annual Conference: The Art of Resistance, 4 September 2024, University of the Arts, Canterbury, UK.
(Unpublished)
Fowler, Martin
ORCID: https://orcid.org/0000-0002-0128-4231
(2018)
‘Supermarket’: making political artworks politically.
In: Arts Research Initiative (ARI) Lecture, 22 June 2018, Institute of the Arts, University of Cumbria, UK.
(Unpublished)
Fowler, Martin
ORCID: https://orcid.org/0000-0002-0128-4231
(2018)
The tyranny of the status quo: making political art politically.
In: The Tyranny Of The Status Quo: Making Political Art Politically, 7 September 2018, University of Iceland, Reykjavik, Iceland.
(Unpublished)
Harrison, Laura M.R.
(2016)
In lostness possibilities are found: is it possible to define the value of lostness through contemporary art practice?
In: NAFAE symposium Research Practice Practice Research, 15 July 2016, University of Cumbria.
(Unpublished)
Hunter, Roddy
ORCID: https://orcid.org/0000-0002-5298-7789
(2019)
On the spatialisation of performance and the performance of spatialisation.
In: Sculpture in Process International Conference: Sculpture as a Medium of Space Transformation, 25 March 2019, University of the Arts Poznań, Poland.
(Unpublished)
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
(2013)
The Women: 8 Films - an explanation, of sorts.
In: Cumbria Doctoral Colloquium, 1-4 July 2013, University of Cumbria, Lancaster, UK.
Williams, Robert
ORCID: https://orcid.org/0000-0002-7771-2415
(2006)
Thesaurus Scienta Lancastriae [presentation].
In: Creative Dates II Conference, North West Art & Design Research Group, 21-22 September 2006, Tate Liverpool and Liverpool John Moores University, UK.
(Unpublished)
Williams, Robert
ORCID: https://orcid.org/0000-0002-7771-2415
(2009)
Thesaurus Scienta Lancastriae: the collaborative projects of Robert Williams & Jack Aylward-Williams.
In: 10th European Affective Education Network (EAEN) Conference: Creativity and Emotional Wellbeing, 6 July 2009, University of the West of Scotland.
(Unpublished)
Williams, Robert
ORCID: https://orcid.org/0000-0002-7771-2415
and Aylward-Williams, Jack
(2009)
Historico-naturalis et Archaeologica ex Dale Street.
In: International Visual Sociology Association (IVSA) Conference 2009: Appreciating the views: how we're looking at the social and visual landscape, 22-24 July 2009, University of Cumbria, Carlisle, UK.
(Unpublished)
Williams, Robert
ORCID: https://orcid.org/0000-0002-7771-2415
, Dion, Mark, Farmer, Tessa, Frampton, Derek and Sabin, Richard
(2011)
Panel making taxidermy.
In: Taxidermy - Animal Skin and Colonial Practice: AHRC-Network Cultures of Preservation. The Afterlife of Specimens between Art and Science since the Eighteenth Century, 13 May 2011, Natural History Museum, London.
(Unpublished)
Book
Haywood, Mark
(2005)
The wide blue wonder: essays on John Ruskin, Donald Campbell, and the colour blue.
Unipress, Carlisle.
Williams, Robert
ORCID: https://orcid.org/0000-0002-7771-2415
and Aylward-Williams, Jack
(2009)
Historico-naturalis et archaeologica ex Dale Street: the natural history & antiquities of Dale Street in the county of Lancashire.
Unipress Cumbria / Information as Material.
Williams, Robert
ORCID: https://orcid.org/0000-0002-7771-2415
, Aylward-Williams, Jack, Barrowclough, David, Morris, Simon, Rodwell, John and Wade, Peter
(2006)
Thesaurus Scienta Lancastriae.
Unipress Cumbria / Information as Material, Carlisle / York, UK.
Book Section
Bonner, Sarah
ORCID: https://orcid.org/0000-0002-4006-5349
(2014)
Beneath antique lace moons.
In: Kelley, Kelli Scott, (ed.)
Accalia and the swamp monster.
Louisiana State University Press, Baton Rouge, Louisiana, US.
Bonner, Sarah
ORCID: https://orcid.org/0000-0002-4006-5349
(2017)
Girl acting out: revisiting the fairy tale futures of Little Red Riding Hood and Snow White.
In: Wilson, Stephen and Jaffe, Deborah, (eds.)
Memories of the future: on countervision.
Cultural memories series, 6
.
Peter Lang, Bern, Switzerland, pp. 85-103.
Bonner, Sarah
ORCID: https://orcid.org/0000-0002-4006-5349
(2019)
Tales retold: fairy tales in contemporary European visual art.
In: Teverson, Andrew, (ed.)
The fairy tale world.
Routledge worlds series
.
Routledge, Taylor & Francis, Abingdon, UK.
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2015)
Environmental politics.
In: Alexander, Jesse A.P., (ed.)
Perspectives on place: theory and practice in landscape photography.
Required reading range
.
Bloomsbury - Fairchild Books, London, UK, pp. 130-135.
Hunter, Roddy
ORCID: https://orcid.org/0000-0002-5298-7789
(2018)
Beyond "East" and "West" through "The Eternal Network": networked artists’ communities as counter-publics of Cold War Europe.
In: Cseh-Varga, Katalin and Czirak, Adam, (eds.)
Performance art in the second public sphere: event-based art in late socialist Europe.
Routledge advances in theatre & performance studies
.
Routledge Taylor & Francis, Abingdon, UK.
Snæbjörnsdóttir, Bryndís and Wilson, Mark
ORCID: https://orcid.org/0000-0003-4123-2118
(2019)
Untying the knots: relational art and interspecific encounter.
In: Böhm, Alexandra and Ullrich, Jessica, (eds.)
Animal encounters: kontakt, interaktion und relationalität.
Cultural Animal Studies, 4
.
J.B. Metzler, Stuttgart, Germany, pp. 187-205.
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
(2013)
Outside Bleak House: a transcript of sorts.
In: Briggs, Kate and Russo, Lucrezia, (eds.)
The Nabokov Paper.
Information as Material, Manchester, UK, pp. 36-37.
Wilson, Mark
ORCID: https://orcid.org/0000-0003-4123-2118
(2019)
On the oblique imperative: what revealing conceals and concealing may reveal.
In: Nevin, Owen, Convery, Ian and Davis, Peter, (eds.)
The bear: culture, nature, heritage.
Heritage Matters, 22
.
Boydell Press, Woodbridge, UK.
Wilson, Mark
ORCID: https://orcid.org/0000-0003-4123-2118
and Snaebjornsdottir, Bryndis
(2014)
Feral attraction: art, becoming, and erasure.
In: Marvin, Garry and McHugh, Susan, (eds.)
Routledge handbook of human-animal studies.
Routledge international handbooks
.
Routledge, Taylor & Francis, London, UK, pp. 182-193.
Thesis/Dissertation
Bacon, Isabel
(2022)
Scaffolding for outdoor art ethnography.
Masters
dissertation,
University of Cumbria.
Hunter, Roddy
ORCID: https://orcid.org/0000-0002-5298-7789
(2019)
Curating the eternal network after globalisation.
Doctoral
thesis,
University of Dundee.
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
(2020)
The Peter & nou handbook: a field guide to an SF practice (So Far).
Doctoral
thesis,
University of Cumbria.
Willenfelt, Johanna
(2020)
Counter-scripting the body in pain: an artistic interrogation into pain as practice, site, and subversive force.
Doctoral
thesis,
University of Cumbria.
Artefact
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
(2011)
Something more than breakfast.
[Artefact]
(Unpublished)
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
(2009)
What Is Invisible.
[Artefact]
(Unpublished)
Williams, Robert
ORCID: https://orcid.org/0000-0002-7771-2415
and McGovern Wilson, Bryan
(2022)
Communication Measures to Bridge 4.543 billion years: Bullroar.
[Artefact]
Show/Exhibition
Fowler, Martin
ORCID: https://orcid.org/0000-0002-0128-4231
(2015)
Aboot this nthat nthe nix thing.
[Show/Exhibition]
In: Aboot this nthat nthe nix thing, 25 November 2015 – 31 January 2016, The Bridge, Easterhouse, Glasgow, Scotland.
(Unpublished)
Fowler, Martin
ORCID: https://orcid.org/0000-0002-0128-4231
(2023)
Sheep-Walk 2: stories from 'modern' Scotia.
[Show/Exhibition]
In: VIDEOBARDO International Videopoetry Festival, 10 September 2023, Online.
Haywood, Mark
(2005)
The Wide Blue Wonder.
[Show/Exhibition]
In: The Wide Blue Yonder, 2005, The Severn Studio, Brantwood, Coniston.
Parsons, S.J. and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2013)
Soft estate.
[Show/Exhibition]
In: Soft estate, 6 December 2013 - 23 February 2014, Bluecoat Gallery, Liverpool.
(Unpublished)
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
(2014)
'Peter' premiere.
[Show/Exhibition]
In: 12th International Signes de Nuit, 15-21 September 2014, Studio des Ursulines & Institut Finlandais, Paris, France.
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
(2014)
The luck of Edenhall.
[Show/Exhibition]
In: The Luck of Edenhall, 19-26 March 2014, The Old Firestation, Carlisle, UK.
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
(2013)
The women.
[Show/Exhibition]
In: The Women, 8-20 March 2013, Patricia Fleming Projects, Glasgow, UK.
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
, Briggs, Kate and Russo, Lucrezia
(2013)
Outside Bleak House: a transcript of sorts.
[Show/Exhibition]
In: The Nabokov Project: An Experiment in Novel Reading, 26 October - 22 November 2013, Shandy Hall, York, UK.
Williams, Robert
ORCID: https://orcid.org/0000-0002-7771-2415
and Dion, Mark
(2010)
An Ordinall of Alchimy.
[Show/Exhibition]
In: An Ordinall of Alchimy, 30 March - 14 June 2010, New York & Philadelphia, USA.
(Unpublished)
Wilson, Mark
ORCID: https://orcid.org/0000-0003-4123-2118
and Snæbjörnsdóttir, Bryndís
(2019)
The only show in town [exhibition].
[Show/Exhibition]
In: The Only Show in Town, 6-7 April 2019, David Winton Bell Gallery, Brown University, RI, US.