The Peter & nou handbook: a field guide to an SF practice (So Far)

Topping, Jane ORCID: https://orcid.org/0000-0002-8148-6684 (2020) The Peter & nou handbook: a field guide to an SF practice (So Far). Doctoral thesis, University of Cumbria.

Preview	PDF (Front Cover) - Cover Image Available under License CC BY-NC Download (2MB) | Preview
Preview	PDF (Start and Roman Numerals) - Accepted Version Available under License CC BY-NC Download (150kB) | Preview
Preview	PDF (Timeline of practice) - Accepted Version Available under License CC BY-NC Download (77kB) | Preview
Preview	PDF (Main body of text) - Accepted Version Available under License CC BY-NC Download (196MB) | Preview
Preview	PDF (Back cover) - Cover Image Available under License CC BY-NC Download (3MB) | Preview

Abstract

This text examines The Peter & nou Project, a developing body of work consisting of four entwined works - two videos, a publication and an online artwork. The project is one strand of an interdisciplinary art practice which is concerned with making, particularly making the moving image, in a post-digital context. The project offers a significant contribution to the recent trend in British contemporary art which David Burrows and Simon O’Sullivan have called ‘fictioning’, a term which refers to practices which blur the boundary between reality and fiction. Through its dense weave of methodological approaches – including use of the archive, science fiction tropes, the cut-up, altered states and intertextuality - The Peter & nou Project operates beyond the gallery space and demands a calling into question of truth on both a personal and cultural level. The project contributes to a range of discourses across discipline areas including fine art, filmmaking and literature, opening up new areas of discussion and offering fresh perspectives in each. Works from the project have been exhibited in galleries and screened in film festivals internationally and have been the focus of discussion at a number of conferences and symposia. In 2017, Peter (2014) won Best Philip K. Dick Short Film at The Fifth Annual Philip K. Dick Science Fiction Film Festival, New York.

Item Type:	Thesis/Dissertation (Doctoral)
Departments:	Institute of Arts > Fine and Applied Arts
Depositing User:	Christian Stretton
Date Deposited:	24 May 2021 13:57
Last Modified:	13 Jan 2024 10:32
URI:	https://insight.cumbria.ac.uk/id/eprint/6106

Downloads