Items where Subject is "701 Philosophy of fine & decorative arts"

Bacon, Isabel (2022) Scaffolding for outdoor art ethnography. Masters dissertation, University of Cumbria.

Bonner, Sarah ORCID: https://orcid.org/0000-0002-4006-5349 (2014) Beneath antique lace moons. In: Kelley, Kelli Scott, (ed.) Accalia and the swamp monster. Louisiana State University Press, Baton Rouge, Louisiana, US.

Bonner, Sarah ORCID: https://orcid.org/0000-0002-4006-5349 (2017) Girl acting out: revisiting the fairy tale futures of Little Red Riding Hood and Snow White. In: Wilson, Stephen and Jaffe, Deborah, (eds.) Memories of the future: on countervision. Cultural memories series, 6 . Peter Lang, Bern, Switzerland, pp. 85-103.

Bonner, Sarah ORCID: https://orcid.org/0000-0002-4006-5349 (2015) Snow White's apple: femininity, fine art and other readings. In: Eating otherwise: an interdisciplinary symposium on food and culture, 28 February - 1 March 2015, Lancaster University, UK. (Unpublished)

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Bonner, Sarah ORCID: https://orcid.org/0000-0002-4006-5349 (2019) Tales retold: fairy tales in contemporary European visual art. In: Teverson, Andrew, (ed.) The fairy tale world. Routledge worlds series . Routledge, Taylor & Francis, Abingdon, UK.

Bonner, Sarah ORCID: https://orcid.org/0000-0002-4006-5349 (2017) When the clock strikes twelve: the unexpected transformations of Cinderella. In: Cinderella conference 2017: All about Cinderella: retellings in the cultural imagination, 9-10 June 2017, University of Bedfordshire, UK. (Unpublished)

Darwell, John ORCID: https://orcid.org/0000-0002-8746-5315 (2015) Environmental politics. In: Alexander, Jesse A.P., (ed.) Perspectives on place: theory and practice in landscape photography. Required reading range . Bloomsbury - Fairchild Books, London, UK, pp. 130-135.

Fowler, Martin ORCID: https://orcid.org/0000-0002-0128-4231 (2015) Aboot this nthat nthe nix thing. [Show/Exhibition] In: Aboot this nthat nthe nix thing, 25 November 2015 – 31 January 2016, The Bridge, Easterhouse, Glasgow, Scotland. (Unpublished)

Fowler, Martin ORCID: https://orcid.org/0000-0002-0128-4231 (2024) Know Thyself: The stories we tell ourselves about ourselves. In: National Association for Fine Art Education NAFAE Annual Conference: The Art of Resistance, 4 September 2024, University of the Arts, Canterbury, UK. (Unpublished)

Fowler, Martin ORCID: https://orcid.org/0000-0002-0128-4231 (2023) Sheep-Walk 2: stories from 'modern' Scotia. [Show/Exhibition] In: VIDEOBARDO International Videopoetry Festival, 10 September 2023, Online.

Fowler, Martin ORCID: https://orcid.org/0000-0002-0128-4231 (2018) ‘Supermarket’: making political artworks politically. In: Arts Research Initiative (ARI) Lecture, 22 June 2018, Institute of the Arts, University of Cumbria, UK. (Unpublished)

Fowler, Martin ORCID: https://orcid.org/0000-0002-0128-4231 (2018) The tyranny of the status quo: making political art politically. In: The Tyranny Of The Status Quo: Making Political Art Politically, 7 September 2018, University of Iceland, Reykjavik, Iceland. (Unpublished)

Grimwood, Tom ORCID: https://orcid.org/0000-0001-8099-6191 (2016) The meaning of clichés. Diacritics, 44 (4). pp. 90-113.

Harris, Ian (2007) Landscape aesthetics and environmentalism: some observations on the representation of nature in Buddhist and western art. Contemporary Buddhism, 8 (2). pp. 149-168.

Harrison, Laura M.R. (2016) In lostness possibilities are found: is it possible to define the value of lostness through contemporary art practice? In: NAFAE symposium Research Practice Practice Research, 15 July 2016, University of Cumbria. (Unpublished)

Haywood, Mark (2005) The Wide Blue Wonder. [Show/Exhibition] In: The Wide Blue Yonder, 2005, The Severn Studio, Brantwood, Coniston.

Haywood, Mark (2005) The wide blue wonder: essays on John Ruskin, Donald Campbell, and the colour blue. Unipress, Carlisle.

Hunter, Roddy ORCID: https://orcid.org/0000-0002-5298-7789 (2018) Beyond "East" and "West" through "The Eternal Network": networked artists’ communities as counter-publics of Cold War Europe. In: Cseh-Varga, Katalin and Czirak, Adam, (eds.) Performance art in the second public sphere: event-based art in late socialist Europe. Routledge advances in theatre & performance studies . Routledge Taylor & Francis, Abingdon, UK.

Hunter, Roddy ORCID: https://orcid.org/0000-0002-5298-7789 (2019) Curating the eternal network after globalisation. Doctoral thesis, University of Dundee.

Hunter, Roddy ORCID: https://orcid.org/0000-0002-5298-7789 (2019) On the spatialisation of performance and the performance of spatialisation. In: Sculpture in Process International Conference: Sculpture as a Medium of Space Transformation, 25 March 2019, University of the Arts Poznań, Poland. (Unpublished)

Parsons, S.J. and Darwell, John ORCID: https://orcid.org/0000-0002-8746-5315 (2013) Soft estate. [Show/Exhibition] In: Soft estate, 6 December 2013 - 23 February 2014, Bluecoat Gallery, Liverpool. (Unpublished)

Snæbjörnsdóttir, Bryndís and Wilson, Mark ORCID: https://orcid.org/0000-0003-4123-2118 (2019) Untying the knots: relational art and interspecific encounter. In: Böhm, Alexandra and Ullrich, Jessica, (eds.) Animal encounters: kontakt, interaktion und relationalität. Cultural Animal Studies, 4 . J.B. Metzler, Stuttgart, Germany, pp. 187-205.

Topping, Jane ORCID: https://orcid.org/0000-0002-8148-6684 (2013) Outside Bleak House: a transcript of sorts. In: Briggs, Kate and Russo, Lucrezia, (eds.) The Nabokov Paper. Information as Material, Manchester, UK, pp. 36-37.

Topping, Jane ORCID: https://orcid.org/0000-0002-8148-6684 (2020) The Peter & nou handbook: a field guide to an SF practice (So Far). Doctoral thesis, University of Cumbria.

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Topping, Jane ORCID: https://orcid.org/0000-0002-8148-6684 (2014) 'Peter' premiere. [Show/Exhibition] In: 12th International Signes de Nuit, 15-21 September 2014, Studio des Ursulines & Institut Finlandais, Paris, France.

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Topping, Jane ORCID: https://orcid.org/0000-0002-8148-6684 (2011) Something more than breakfast. [Artefact] (Unpublished)

Topping, Jane ORCID: https://orcid.org/0000-0002-8148-6684 (2009) What Is Invisible. [Artefact] (Unpublished)

Topping, Jane ORCID: https://orcid.org/0000-0002-8148-6684 (2013) The Women: 8 Films - an explanation, of sorts. In: Cumbria Doctoral Colloquium, 1-4 July 2013, University of Cumbria, Lancaster, UK.

Topping, Jane ORCID: https://orcid.org/0000-0002-8148-6684 (2014) The luck of Edenhall. [Show/Exhibition] In: The Luck of Edenhall, 19-26 March 2014, The Old Firestation, Carlisle, UK.

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Topping, Jane ORCID: https://orcid.org/0000-0002-8148-6684 (2013) The women. [Show/Exhibition] In: The Women, 8-20 March 2013, Patricia Fleming Projects, Glasgow, UK.

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Topping, Jane ORCID: https://orcid.org/0000-0002-8148-6684 , Briggs, Kate and Russo, Lucrezia (2013) Outside Bleak House: a transcript of sorts. [Show/Exhibition] In: The Nabokov Project: An Experiment in Novel Reading, 26 October - 22 November 2013, Shandy Hall, York, UK.

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Willenfelt, Johanna (2020) Counter-scripting the body in pain: an artistic interrogation into pain as practice, site, and subversive force. Doctoral thesis, University of Cumbria.

Williams, Robert ORCID: https://orcid.org/0000-0002-7771-2415 (2006) Thesaurus Scienta Lancastriae [presentation]. In: Creative Dates II Conference, North West Art & Design Research Group, 21-22 September 2006, Tate Liverpool and Liverpool John Moores University, UK. (Unpublished)

Williams, Robert ORCID: https://orcid.org/0000-0002-7771-2415 (2009) Thesaurus Scienta Lancastriae: the collaborative projects of Robert Williams & Jack Aylward-Williams. In: 10th European Affective Education Network (EAEN) Conference: Creativity and Emotional Wellbeing, 6 July 2009, University of the West of Scotland. (Unpublished)

Williams, Robert ORCID: https://orcid.org/0000-0002-7771-2415 and Aylward-Williams, Jack (2009) Historico-naturalis et Archaeologica ex Dale Street. In: International Visual Sociology Association (IVSA) Conference 2009: Appreciating the views: how we're looking at the social and visual landscape, 22-24 July 2009, University of Cumbria, Carlisle, UK. (Unpublished)

Williams, Robert ORCID: https://orcid.org/0000-0002-7771-2415 and Aylward-Williams, Jack (2009) Historico-naturalis et archaeologica ex Dale Street: the natural history & antiquities of Dale Street in the county of Lancashire. Unipress Cumbria / Information as Material.

Williams, Robert ORCID: https://orcid.org/0000-0002-7771-2415 , Aylward-Williams, Jack, Barrowclough, David, Morris, Simon, Rodwell, John and Wade, Peter (2006) Thesaurus Scienta Lancastriae. Unipress Cumbria / Information as Material, Carlisle / York, UK.

Williams, Robert ORCID: https://orcid.org/0000-0002-7771-2415 and Dion, Mark (2010) An Ordinall of Alchimy. [Show/Exhibition] In: An Ordinall of Alchimy, 30 March - 14 June 2010, New York & Philadelphia, USA. (Unpublished)

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Williams, Robert ORCID: https://orcid.org/0000-0002-7771-2415 , Dion, Mark, Farmer, Tessa, Frampton, Derek and Sabin, Richard (2011) Panel making taxidermy. In: Taxidermy - Animal Skin and Colonial Practice: AHRC-Network Cultures of Preservation. The Afterlife of Specimens between Art and Science since the Eighteenth Century, 13 May 2011, Natural History Museum, London. (Unpublished)

Williams, Robert ORCID: https://orcid.org/0000-0002-7771-2415 and McGovern Wilson, Bryan (2022) Communication Measures to Bridge 4.543 billion years: Bullroar. [Artefact]

Wilson, Mark ORCID: https://orcid.org/0000-0003-4123-2118 (2019) On the oblique imperative: what revealing conceals and concealing may reveal. In: Nevin, Owen, Convery, Ian and Davis, Peter, (eds.) The bear: culture, nature, heritage. Heritage Matters, 22 . Boydell Press, Woodbridge, UK.

Wilson, Mark ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2014) Feral attraction: art, becoming, and erasure. In: Marvin, Garry and McHugh, Susan, (eds.) Routledge handbook of human-animal studies. Routledge international handbooks . Routledge, Taylor & Francis, London, UK, pp. 182-193.

Wilson, Mark ORCID: https://orcid.org/0000-0003-4123-2118 , Snaebjornsdottir, Bryndis and Aloi, Giovanni (2008) Nanoq: in conversation. Antennae: the journal of nature in visual culture (6). pp. 28-34.

Wilson, Mark ORCID: https://orcid.org/0000-0003-4123-2118 , Snaebjornsdottir, Bryndis and Byatt, Lucy (2008) Flat out and bluesome. Antennae: the journal of nature in visual culture, 1 (6). pp. 21-27.

Wilson, Mark ORCID: https://orcid.org/0000-0003-4123-2118 and Snæbjörnsdóttir, Bryndís (2019) The only show in town [exhibition]. [Show/Exhibition] In: The Only Show in Town, 6-7 April 2019, David Winton Bell Gallery, Brown University, RI, US.