Items where Subject is "701 Philosophy of fine & decorative arts"

Bacon, Isabel (2022) Scaffolding for outdoor art ethnography. Masters dissertation, University of Cumbria.

Bonner, Sarah (2014) Beneath antique lace moons. In: Kelley, Kelli Scott, (ed.) Accalia and the swamp monster. Louisiana State University Press, Baton Rouge, Louisiana, US.

Bonner, Sarah (2017) Girl acting out: revisiting the fairy tale futures of Little Red Riding Hood and Snow White. In: Wilson, Stephen and Jaffe, Deborah, (eds.) Memories of the future: on countervision. Cultural memories series, 6 . Peter Lang, Bern, Switzerland, pp. 85-103.

Bonner, Sarah (2015) Snow White's apple: femininity, fine art and other readings. In: Eating otherwise: an interdisciplinary symposium on food and culture, 28 February - 1 March 2015, Lancaster University, UK. (Unpublished)

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Bonner, Sarah (2019) Tales retold: fairy tales in contemporary European visual art. In: Teverson, Andrew, (ed.) The fairy tale world. Routledge worlds series . Routledge, Taylor & Francis, Abingdon, UK.

Bonner, Sarah (2017) When the clock strikes twelve: the unexpected transformations of Cinderella. In: Cinderella conference 2017: All about Cinderella: retellings in the cultural imagination, 9-10 June 2017, University of Bedfordshire, UK. (Unpublished)

Darwell, John (2015) Environmental politics. In: Alexander, Jesse A.P., (ed.) Perspectives on place: theory and practice in landscape photography. Required reading range . Bloomsbury - Fairchild Books, London, UK, pp. 130-135.

Fowler, Martin (2015) Aboot this nthat nthe nix thing. [Show/Exhibition] In: Aboot this nthat nthe nix thing, 25 November 2015 – 31 January 2016, The Bridge, Easterhouse, Glasgow, Scotland. (Unpublished)

Fowler, Martin (2018) ‘Supermarket’: making political artworks politically. In: Arts Research Initiative (ARI) Lecture, 22 June 2018, Institute of the Arts, University of Cumbria, UK. (Unpublished)

Fowler, Martin (2018) The tyranny of the status quo: making political art politically. In: The Tyranny Of The Status Quo: Making Political Art Politically, 7 September 2018, University of Iceland, Reykjavik, Iceland. (Unpublished)

Grimwood, Tom (2016) The meaning of clichés. Diacritics, 44 (4). pp. 90-113.

Harris, Ian (2007) Landscape aesthetics and environmentalism: some observations on the representation of nature in Buddhist and western art. Contemporary Buddhism, 8 (2). pp. 149-168.

Harrison, Laura M.R. (2016) In lostness possibilities are found: is it possible to define the value of lostness through contemporary art practice? In: NAFAE symposium Research Practice Practice Research, 15 July 2016, University of Cumbria. (Unpublished)

Haywood, Mark (2005) The Wide Blue Wonder. [Show/Exhibition] In: The Wide Blue Yonder, 2005, The Severn Studio, Brantwood, Coniston.

Haywood, Mark (2005) The wide blue wonder: essays on John Ruskin, Donald Campbell, and the colour blue. Unipress, Carlisle.

Hunter, Roddy (2018) Beyond "East" and "West" through "The Eternal Network": networked artists’ communities as counter-publics of Cold War Europe. In: Cseh-Varga, Katalin and Czirak, Adam, (eds.) Performance art in the second public sphere: event-based art in late socialist Europe. Routledge advances in theatre & performance studies . Routledge Taylor & Francis, Abingdon, UK.

Hunter, Roddy (2019) Curating the eternal network after globalisation. Doctoral thesis, University of Dundee.

Hunter, Roddy (2019) On the spatialisation of performance and the performance of spatialisation. In: Sculpture in Process International Conference: Sculpture as a Medium of Space Transformation, 25 March 2019, University of the Arts Poznań, Poland. (Unpublished)

Parsons, S.J. and Darwell, John (2013) Soft estate. [Show/Exhibition] In: Soft estate, 6 December 2013 - 23 February 2014, Bluecoat Gallery, Liverpool. (Unpublished)

Topping, Jane (2013) Outside Bleak House: a transcript of sorts. In: Briggs, Kate and Russo, Lucrezia, (eds.) The Nabokov Paper. Information as Material, Manchester, UK, pp. 36-37.

Topping, Jane (2020) The Peter & nou handbook: a field guide to an SF practice (So Far). Doctoral thesis, University of Cumbria.

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Topping, Jane (2014) 'Peter' premiere. [Show/Exhibition] In: 12th International Signes de Nuit, 15-21 September 2014, Studio des Ursulines & Institut Finlandais, Paris, France.

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Topping, Jane (2011) Something more than breakfast. [Artefact] (Unpublished)

Topping, Jane (2009) What Is Invisible. [Artefact] (Unpublished)

Topping, Jane (2013) The Women: 8 Films - an explanation, of sorts. In: Cumbria Doctoral Colloquium, 1-4 July 2013, University of Cumbria, Lancaster, UK.

Topping, Jane (2014) The luck of Edenhall. [Show/Exhibition] In: The Luck of Edenhall, 19-26 March 2014, The Old Firestation, Carlisle, UK.

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Topping, Jane (2013) The women. [Show/Exhibition] In: The Women, 8-20 March 2013, Patricia Fleming Projects, Glasgow, UK.

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Topping, Jane, Briggs, Kate and Russo, Lucrezia (2013) Outside Bleak House: a transcript of sorts. [Show/Exhibition] In: The Nabokov Project: An Experiment in Novel Reading, 26 October - 22 November 2013, Shandy Hall, York, UK.

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Willenfelt, Johanna (2020) Counter-scripting the body in pain: an artistic interrogation into pain as practice, site, and subversive force. Doctoral thesis, University of Cumbria.

Williams, Robert (2006) Thesaurus Scienta Lancastriae [presentation]. In: Creative Dates II Conference, North West Art & Design Research Group, 21-22 September 2006, Tate Liverpool and Liverpool John Moores University, UK. (Unpublished)

Williams, Robert (2009) Thesaurus Scienta Lancastriae: the collaborative projects of Robert Williams & Jack Aylward-Williams. In: 10th European Affective Education Network (EAEN) Conference: Creativity and Emotional Wellbeing, 6 July 2009, University of the West of Scotland. (Unpublished)

Williams, Robert and Aylward-Williams, Jack (2009) Historico-naturalis et Archaeologica ex Dale Street. In: International Visual Sociology Association (IVSA) Conference 2009: Appreciating the views: how we're looking at the social and visual landscape, 22-24 July 2009, University of Cumbria, Carlisle, UK. (Unpublished)

Williams, Robert and Aylward-Williams, Jack (2009) Historico-naturalis et archaeologica ex Dale Street: the natural history & antiquities of Dale Street in the county of Lancashire. Unipress Cumbria / Information as Material.

Williams, Robert, Aylward-Williams, Jack, Barrowclough, David, Morris, Simon, Rodwell, John and Wade, Peter (2006) Thesaurus Scienta Lancastriae. Unipress Cumbria / Information as Material, Carlisle / York, UK.

Williams, Robert and Dion, Mark (2010) An Ordinall of Alchimy. [Show/Exhibition] In: An Ordinall of Alchimy, 30 March - 14 June 2010, New York & Philadelphia, USA. (Unpublished)

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Williams, Robert, Dion, Mark, Farmer, Tessa, Frampton, Derek and Sabin, Richard (2011) Panel making taxidermy. In: Taxidermy - Animal Skin and Colonial Practice: AHRC-Network Cultures of Preservation. The Afterlife of Specimens between Art and Science since the Eighteenth Century, 13 May 2011, Natural History Museum, London. (Unpublished)

Williams, Robert and McGovern Wilson, Bryan (2022) Communication Measures to Bridge 4.543 billion years: Bullroar. [Artefact]

Wilson, Mark (2019) On the oblique imperative: what revealing conceals and concealing may reveal. In: Nevin, Owen, Convery, Ian and Davis, Peter, (eds.) The bear: culture, nature, heritage. Heritage Matters, 22 . Boydell Press, Woodbridge, UK.

Wilson, Mark and Snaebjornsdottir, Bryndis (2014) Feral attraction: art, becoming, and erasure. In: Marvin, Garry and McHugh, Susan, (eds.) Routledge handbook of human-animal studies. Routledge international handbooks . Routledge, Taylor & Francis, London, UK, pp. 182-193.

Wilson, Mark, Snaebjornsdottir, Bryndis and Aloi, Giovanni (2008) Nanoq: in conversation. Antennae: the journal of nature in visual culture (6). pp. 28-34.

Wilson, Mark, Snaebjornsdottir, Bryndis and Byatt, Lucy (2008) Flat out and bluesome. Antennae: the journal of nature in visual culture, 1 (6). pp. 21-27.

Wilson, Mark and Snæbjörnsdóttir, Bryndís (2019) The only show in town [exhibition]. [Show/Exhibition] In: The Only Show in Town, 6-7 April 2019, David Winton Bell Gallery, Brown University, RI, US.