Items where Subject is "700 ARTS & RECREATION (collections, philosophy & education)"

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Number of items at this level: 189.

A

Ager, Jennifer (2020) Can I do it outside? How to introduce a CIDIO (Can I Do It Outside?) approach in a primary school. Outdoor Learning Research .
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Banks, Michele and Loynes, Christopher ORCID logo ORCID: https://orcid.org/0000-0002-9779-7954 (2023) Connecting people with nature in Workington: deep dive research on barriers and proposals. Natural England. (Unpublished)
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Bassenger, Chez, Baxter, Zachary, Carrodus, Rory, Dunn, Phoebe, Gibson, Emily, Hick, Louise, Kenny, Abigail, Seed, Jamie, Shaw, Max, Toma, Lucian and Townsley, Brooke (2023) MA Creative Practice Showcase: MERAKI. [Show/Exhibition] In: MA Creative Practice Showcase: MERAKI, 18 September - 6 October 2023, Vallum Gallery, University of Cumbria, Carlisle, UK. (Unpublished)
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Bell, Dwayne (2019) Have pen will travel. [Show/Exhibition] In: Dwayne Bell - Have Pen Will Travel, November 2019, Outpost Arts, Langholm. (Unpublished)
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Bonner, Sarah ORCID logo ORCID: https://orcid.org/0000-0002-4006-5349 (2015) Snow White's apple: femininity, fine art and other readings. In: Eating otherwise: an interdisciplinary symposium on food and culture, 28 February - 1 March 2015, Lancaster University, UK. (Unpublished)
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Fowler, Martin ORCID logo ORCID: https://orcid.org/0000-0002-0128-4231 (2023) Prefab: dissident art-making against the capitalist common sense. Doctoral thesis, University of Cumbria / Lancaster University.
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Fowler, Martin ORCID logo ORCID: https://orcid.org/0000-0002-0128-4231 (2019) Supermarket. [Show/Exhibition] In: Supermarket, 13-18 April 2019, The Market Hall, Carlisle, UK.
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Fowler, Martin ORCID logo ORCID: https://orcid.org/0000-0002-0128-4231 (2018) 'Supermarket': didactic experiments in a critical realist method. In: Cumbria Research and Innovation Conference (CRI 2018), 6 July 2018, University of Cumbria, Lancaster, UK. (Unpublished)
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Fraser, Harriet ORCID logo ORCID: https://orcid.org/0000-0002-2490-3496 (2023) Watershed exhibition: poetry and installation. [Show/Exhibition] In: Watershed exhibition, 18-21 July 2023, Glenridding, Cumbria, UK. (Unpublished)
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Fraser, Harriet ORCID logo ORCID: https://orcid.org/0000-0002-2490-3496 (2023) Watershed: Place-based research using art as a tool for engagement and critical enquiry into relationships and landscape change within the Ullswater catchment. In: Ambleside Postgraduate Research Showcase, 4 May 2023, University of Cumbria, Ambleside, UK. (Unpublished)
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Fraser, Harriet ORCID logo ORCID: https://orcid.org/0000-0002-2490-3496 (2023) Watershed: Place-based research using art as a tool for engagement and critical enquiry into relationships and landscape change within the Ullswater catchment. In: 2023 Research Skills Development Summer School and Research Student Conference, 26 June - 5 July 2023, University of Cumbria, Lancaster, UK. (Unpublished)
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Fraser, Harriet ORCID logo ORCID: https://orcid.org/0000-0002-2490-3496 and Fraser, Rob ORCID logo ORCID: https://orcid.org/0009-0001-6924-851X (2024) Making Sense of Here: revealing multiple narratives of place through artistic process and integrating art and artists into transdisciplinary research. Landscape Research .
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Grimwood, Tom ORCID logo ORCID: https://orcid.org/0000-0001-8099-6191 (2024) Being angry: rhetorics of rage in the 21st century. In: 26th Arts Research Initiative: Art as Resistance: Creative Practice in Austerity Britain, 20 November 2024, Stanwix Theatre, University of Cumbria, Carlisle, UK. (Unpublished)
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Grimwood, Tom ORCID logo ORCID: https://orcid.org/0000-0001-8099-6191 , Snell, Laura ORCID logo ORCID: https://orcid.org/0000-0003-4455-8076 and Goodwin, Victoria ORCID logo ORCID: https://orcid.org/0000-0003-2372-9067 (2021) About being: an interdisciplinary and collaborative arts and health project supporting the ongoing recovery of stroke survivors. Journal of Applied Arts and Health, 12 (2). pp. 109-123.
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Harrison, Laura M.R. (2016) In lostness possibilities are found: is it possible to define the value of lostness through contemporary art practice? In: NAFAE symposium Research Practice Practice Research, 15 July 2016, University of Cumbria. (Unpublished)
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Hayes, Tracy ORCID logo ORCID: https://orcid.org/0000-0002-6330-6520 (2018) Responsive, responsible research: Lexi’s story. In: BERA Annual Conference 2018, 11-13 September 2018, Northumbria University, Newcastle, UK. (Unpublished)
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Hayes, Tracy ORCID logo ORCID: https://orcid.org/0000-0002-6330-6520 (2020) We’re ALL in the Wild: Inclusive, creative ways to support young people to discover local outdoor spaces. Impact .
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Hayes, Tracy ORCID logo ORCID: https://orcid.org/0000-0002-6330-6520 (2014) The challenges of social inclusion in outdoor education: can tortoise and hare learn together? In: Being there: Slow, fast, traditional, wild, urban, natural… 2013 Adventure Conference, 21-23 May 2013, Sabhal Mòr Ostaig, Isle of Skye, UK.
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Haywood, Mark (2005) Car parks and Center Parcs. In: Brundrett, Kate and Thorn, Hilary, (eds.) FRED: the story of an art invasion. FoldPress, Kirkby Stephen.

Haywood, Mark (1994) The City Museum of Art & Design. In: Cadwallader, Helen, (ed.) Vade mecum: a compendium of new art. Locus+, Newcastle upon Tyne, UK, pp. 23-26.

Haywood, Mark (1993) The City Museum of Art and Design [exhibition]. [Show/Exhibition] In: The City Museum of Art and Design, 27 August - 10 September 1993, Various locations in Newcastle upon Tyne, UK. (Unpublished)
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Haywood, Mark (1996) The City Museum of Art and Design. In: Wilkinson, Samantha, (ed.) Locus+ 1993-1996. Locus+, Newcastle upon Tyne, UK, pp. 26-29.
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Haywood, Mark (2006) Claife Station: looking at the world through coloured glasses. In: Romantic Spectacle Conference, July 2006, University of Roehampton.

Haywood, Mark (2010) Colonial and Post-Colonial Rhetorics of South African Zoo Architecture. In: 63rd Annual Meeting of the Society of Architectural Historians, April 2010, Chicago.

Haywood, Mark (2002) Coniston Water from Turner to Bluebird: the changing nature of English romanticism and shifting perceptions of the sublime. In: The Proceedings of the 17th Annual Conference of the South African Association of Art Historians. University of Natal, Durban.

Haywood, Mark (1999) Crucible of gold. [Show/Exhibition] In: South African National Festival of Science, Engineering and Technology (Sasol SciFest ‘99), 1999, South Africa. (Unpublished)

Haywood, Mark (2002) Imagine the city. In: Younge, Gavin, (ed.) Salt River Soliloquies. Bell-Roberts Gallery, Cape Town.

Haywood, Mark (1996) Museum with wall (installation). [Show/Exhibition] In: Association of Art Historians Annual Conference, 1996, University of Northumbria, UK. (Unpublished)

Haywood, Mark (2007) One Body Politic: Metamorphosis of Place Reflected in Face. In: 2nd Annual Transdisciplinary Literary & Cultural Studies Conference, May 24th to 26th 2007, Fatih University, Istanbul.

Haywood, Mark (2007) Re-wilding or hyperwilderness - plus ca change? South African Journal of Art History, 22 (1). pp. 195-203.

Haywood, Mark (2007) The Sensual Metonymy of the Biomorphic Chair. In: Design History Society Annual Conference, 5th-7th September 2007, Kingston University.

Haywood, Mark (2006) Sustainability and contemporary art. Praesens: Central European contermporary art review .

Haywood, Mark (2009) Traversing the ‘Wet Sahara’ and Graphic Representations of Humanoid and non-Human Animals at the Johannesburg Zoo. In: Appreciating the views: how we're looking at the social and visual landscape: International Visual Sociology Association Conference, July 22nd to 24th 2009, University of Cumbria.

Haywood, Mark (2007) Vladimir Arkhipov: art and artefact. In: Aesthetics Bridging Cultures: XVIIth International Congress of Aesthetics,, July 2007, Middle Eastern Technical University, Ankara.

Hunter, Roddy ORCID logo ORCID: https://orcid.org/0000-0002-5298-7789 (2019) Curating the eternal network after globalisation. Doctoral thesis, University of Dundee.
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Jones, Karen (2024) History of art. Cumbria Life, Feb 24 . pp. 176-181.
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Kelsey, Jan and Taylor, Paul (2006) Negotiated Practice and the Socialisation of Art. In: Creative Dates II, North West Art & Design Research Group, 22nd September 2006, Liverpool John Moores University.

Kelsey, Jan and Taylor, Paul (2005) A Sense of Place. [Artefact] (Unpublished)

Klingberg, Frida, Martinsson, Tyrone, Olsson, Peo, Samuelsson, Anna, Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 , Thorsen, Liv Emma, Sjöberg, Christine, Dyrendom, Lars, Zeitler, Hendrik and Lazlo, Fröydi (2013) Handplockat: på utflykter i bildarkivet. In: Lazlo, Fröydi, (ed.) Handplockat: på utflykter i bildarkivet [Handpicked: on excursions in the visual archive]. Förlaget 284, Gothenburg, Sweden, pp. 131-139.
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Lang, Martin and Grimwood, Tom ORCID logo ORCID: https://orcid.org/0000-0001-8099-6191 (2023) Socially engaged art, post-truth and the monumentalising of democracy. Journal of Cultural Management and Cultural Policy, 9 (1). pp. 59-76.
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Logan, Cheri, Kurien, Anish, Flint, Debbie and Allan, Simon (2007) Distributed e-learning in art, design, media. Higher Education Academy: Art/Design/Media Subject Centre, London, UK.
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Loughran, Beth ORCID logo ORCID: https://orcid.org/0000-0003-0192-0098 (2024) Creative performing arts: ways of witnessing practice. In: Betts, Tab and Oprandi, Paolo, (eds.) From lab to laptop: case studies in teaching practical courses online. University of Sussex Library, Brighton, UK.

Loynes, Christopher ORCID logo ORCID: https://orcid.org/0000-0002-9779-7954 (2010) Journeys of transition: the role of narrative within the Stoneleigh Project. Journal of Adventure Education and Outdoor Learning, 10 (2). pp. 127-145.
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Mcphie, Jamie ORCID logo ORCID: https://orcid.org/0000-0001-5290-1685 (2017) Embodied walls and extended skins: exploring mental health through tataus and graffiti. In: Awad, Sarah H. and Wagoner, Brady, (eds.) Street art of resistance. Palgrave Studies in Creativity and Culture . Palgrave Macmillan, Basingstoke, UK, pp. 223-250.

Mcphie, Jamie ORCID logo ORCID: https://orcid.org/0000-0001-5290-1685 (2016) Walking in circles: we are of the world, not connected to it. EarthLines: the Culture of Nature, 15 . pp. 49-51.
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Moisa, Delia ORCID logo ORCID: https://orcid.org/0009-0000-9365-7893 (2023) Developing an innovative digital solution for deeper understanding of visitor behaviour. In: Ambleside Postgraduate Research Showcase, 4 May 2023, University of Cumbria, Ambleside, UK. (Unpublished)
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Moisa, Delia ORCID logo ORCID: https://orcid.org/0009-0000-9365-7893 , Parapanos, Demos ORCID logo ORCID: https://orcid.org/0000-0001-8720-3334 and Heap, Tim (2024) Exploring strategies to market SMEs’ activities: the role of personality traits and travel motivations in tourist activities. Tourism and Hospitality, 5 (4). pp. 1042-1064.
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Peart, Tony ORCID logo ORCID: https://orcid.org/0000-0001-6367-1387 (2013) Voysey textile designs at the Cummersdale Design Collection. The Orchard, 2 . pp. 21-27.
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Peart, Tony ORCID logo ORCID: https://orcid.org/0000-0001-6367-1387 (2015) Voysey’s lettering designs. The Orchard, 4 . pp. 35-45.
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Peart, Tony ORCID logo ORCID: https://orcid.org/0000-0001-6367-1387 (2018) Was there a fourth painted clock? The Orchard, 7 . pp. 31-38.
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Peart, Tony ORCID logo ORCID: https://orcid.org/0000-0001-6367-1387 (2018) The furniture designs of C.F.A. Voysey, part 3: 1906-1934. The Orchard, 7 . pp. 3-22.
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Pedersen, Helena, Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2008) Art, artistic research and the animal question. Art Monitor, 3 .

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Rohr, Doris (2005) North: drawings and text by Doris Rohr; edited by Mark Haywood. Unipress Cumbria, Carlisle.

Russell, Ruby, Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Foto8 review of Nanoq: flat out and bluesome – a cultural life of polar bears. Foto8, London, UK.

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Shaw, Elliott ORCID logo ORCID: https://orcid.org/0000-0001-7858-4470 (2019) Religious literacy and video game development. In: Visualising Cultures: Media, Technology and Religion (BASR Annual Conference 2019), 2nd - 4th September 2019, Leeds Trinity University. (Unpublished)

Snaebjornsdottir, Bryndis (2018) Art, nature and non-human agents. In: Master class talk: Exploring issues of history, culture and environment, 25 October 2018, University of Cumbria, Carlisle, UK. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) Action: a twisted relation to the object. In: Action: a twisted relation to the object, 28-30 January 2016, Iceland Academy of the Arts, Reykjavík, Iceland. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Animalische identitäten: das tier im blick / Animal identities: the animal in perspective. In: Tier Werden / Mensch Werden, 9 May 2009, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin, Germany. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Animals, humans and power. In: Interspecies, 2 October 2009, Rochelle School, Shoreditch, London, UK. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2008) Artist floor talk : art and climate change. In: Heat: Art and Climate Change, 12 September - 18 October 2008, RMIT Gallery, Melbourne, Australia. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Between you and me. [Show/Exhibition] In: Interactive Futures, 17-23 November 2011, Gallery Gachet, Vancouver, Canada.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Between you and me. [Show/Exhibition] In: Between You and Me, Snæbjörnsdóttir & Wilson + a selection from the Kalmar konstmuseum & the Design Archive collection, 29 August - 8 November 2009, Kalmar Museum, Sweden.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Between you and me. [Show/Exhibition] In: Between you and me, 16 July - 1 August 2009, Pod Space Gallery, Newcastle, NSW, Australia.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Between you and me. [Show/Exhibition] In: Between you and me, March - April 2009, Glashuset Gothenburg, Sweden.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Between you and me. [Show/Exhibition] In: Reconstructing the animal, 18 March - 15 April 2011, Plimsoll Gallery, Tasmanian School of Art, University of Tasmania, Hobart.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Between you and me: adjustments of thinking at the margins of culture. In: Meet animal meat, 21-23 May 2009, Uppsala University, Sweden. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Between you, nanoq and me: reflections on the ambition and inadequacies of representation in the prepared skins of animals. In: Cultures of Preservation : Taxidermy - Animal Skin and Colonial Practice, 13 May 2011, Natural History Museum, London.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) Borrowed time: Icelandic artists look forward. [Show/Exhibition] In: Borrowed Time: Icelandic Artists Look Forward, 15 October 2016 – 2 November 2017, Scandinavia House, New York, US.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Breeding narratives of intimacies. In: McHugh, Susan, (ed.) Animal stories: narrating across species lines. Posthumanities series, 15 . University of Minnesota Press, Minneapolis, US, pp. 122-124.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Cities of cliffs and ledges. [Show/Exhibition] In: Hunter Gatherer, 28 April - 6 August 2011, PSL Project Space, Leeds, UK. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2010) Contested space: uncertainty in the city. In: Animal Movements: Moving Animals: a symposium on direction, velocity and agency in humanimal encounters, 27-28 May 2010, Uppsala University, Sweden.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) Dead animals: the curious occurrence of taxidermy in contemporary art. [Show/Exhibition] In: Dead Animals: the curious occurrence of taxidermy in contemporary art, 23 January - 27 March 2016, Bell Gallery, Brown University, Providence, US.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) Ecologies of uncertainty: the indeterminate north. In: Further North Conference, 4-5 September 2014, Northumbria University, Newcastle upon Tyne, UK. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) Fading symbols, disappearing worlds: the cultural lives of endangered species. In: Taxidermy, Art and the Animal Question: a Symposium: Dead Animals, or the Curious Occurrence of Taxidermy in Contemporary Art, 26-27 February 2016, Brown University, Providence, RI, US. (Unpublished)
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2008) Glazing the gaze in a human animal encounter. In: Artistic Research Conference, 3-4 October 2008, Iceland Academy of the Arts, Reykjavík, Iceland. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Glazing the gaze: a human animal encounter. In: Minding Animals, 13-18 July 2009, Newcastle University, Australia. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Great white bear: nanoq: flat out and bluesome. [Show/Exhibition] In: Nanoq - flat out and bluesome, 27th November 2009 – 9th January 2010, Worcester City Art Gallery & Museum, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Human-animal relations, places and stories. In: Places, people, stories, 28 - 30 September 2011, Linnaeus University, Kalmar, Sweden.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) I'm not there. [Show/Exhibition] In: Ten days on the island, 18 March - 15 April 2011, Hobart, Tasmania.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Making space for animal dwelling: worlding with Snæbjörnsdóttir/Wilson. In: Broglio, Ron, (ed.) Surface encounters: thinking with animals and art. Posthumanities, 17 . University of Minnesota Press, Minneapolis, US, pp. 57-80.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2012) Nanoq. In: Poliquin, Rachel, (ed.) The breathless zoo: taxidermy and the cultures of longing. Animalibus of animals and cultures series . Penn State University Press, Pennsylvania, US, pp. 2-11.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Nanoq - flat out and bluesome. [Show/Exhibition] In: Nanoq - flat out and bluesome, 1 June - 31 December 2011, Tromsø Polar Museum, Tromsø, Norway.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2008) Nanoq - flat out and bluesome. [Show/Exhibition] In: Nanoq - flat out and bluesome, 13 May - 20 August 2008, Scott Polar Research Institute, Cambridge, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Nanoq - flat out and bluesome. [Show/Exhibition] In: Nanoq - flat out and bluesome, 24 January - 5 April 2009, New Walk Museum, Leicester, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2007) Nanoq - flat out and bluesome. [Show/Exhibition] In: Nanoq - flat out and bluesome, 30 November 2007 - 1 September 2008, Fram Museum, Oslo, Norway.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2007) Nanoq - flat out and bluesome. [Show/Exhibition] In: Nanoq - flat out and bluesome, 14 March - 30 April 2007, The Nordic House, Thorshavn, Faroe Islands.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2010) Nanoq - flat out and bluesome [photographic installation]. [Show/Exhibition] In: Nanoq - flat out and bluesome, 15 November 2010 - 15 April 2011, Svalbard Museum, Longyearbyen, Svalbard, Norway.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2010) Nanoq: flat out and bluesome. In: Nanoq: flat out and bluesome, 2010, Department of Culture and Oriental Studies, University of Oslo, Norway. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2010) Nanoq: the great white bear. reCollections - Journal of the National Museum of Australia, 4 (2). pp. 12-19.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2008) Pests, pets and prey – uncertainty in the city. [Show/Exhibition] In: Animal Gaze, 18 November - 12 December 2008, London Metropolitan University, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2008) Pests, pets and prey: uncertainty in the city. In: The Animal Gaze Symposium, 20-21 November 2008, London Metropolitan University, UK. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2008) Pests, pets and prey: uncertainty in the city. In: Royal Geographical Society Annual International Conference, 27-29 August 2008, London, UK. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2008) Polar shift. [Show/Exhibition] In: Heat – Art and Climate Change, 17 September - 18 October 2008, RMIT Gallery, Melbourne, Australia.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Radio Animal at Broughton Hall Game Fair. [Show/Exhibition] In: Radio Animal, 28 June 2009, Broughton Hall Game Fair, Skipton, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Radio Animal at Egremont Crab Fair. [Show/Exhibition] In: Radio Animal, 19 September 2009, Egremont Crab Fair, Cumbria, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Radio Animal at Grizedale Arts. [Show/Exhibition] In: Radio Animal, 13 November 2009, Grizedale Arts, Cumbria, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Radio Animal at Interspecies. [Show/Exhibition] In: Interspecies, 1-4 October 2009, A Foundation London, Rochelle School, London, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Radio Animal at Lancaster Garden and Country Fair. [Show/Exhibition] In: Radio Animal, 6-7 June 2009, Lancaster Garden and Country Fair, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Radio Animal at Lancaster Market Square. [Show/Exhibition] In: Radio Animal, 23 October 2009, Lancaster Market Square, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2010) Radio Animal at Lanercost Priory. [Show/Exhibition] In: Radio Animal, 10 July 2010, Lanercost Priory, Cumbria, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) RÍKI - flóra, fána, fabúla / KINGDOM - flora, fauna, fable. [Show/Exhibition] In: RÍKI - flóra, fána, fabúla / KINGDOM - flora, fauna, fable, 28 May - 18 September 2016, Listasafn Reykjavikur (Reykjavík Art Museum Hafnarhús), Reykjavík, Iceland.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2017) Sagas on thin ice. [Show/Exhibition] In: Sagas on Thin Ice, 18 November 2017 - 21 January 2018, Audrey Love Gallery, Bakehouse Arts Complex, Miami, FL, US.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2017) Searching for Stipa: revealing plant biographies across habitats. In: 31st Annual Meeting of the Society for Literature, Science, and the Arts: Out of Time (SLSA 2017), 9-12 November, 2017, Arizona State University, Tempe, US. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2010) Snaebjornsdottir and Wilson. In: Ellis, Richard, (ed.) On thin ice: the changing world of the polar bear. Knopf, New York, USA, pp. 259-273.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2010) Snaebjörnsdóttir/Wilson. In: McKinley, R., (ed.) Corridor 8 contemporary visual art & writing annual: the borderlands edition, 2. Michael Butterworth, Manchester, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Spaces of encounter: art and revision in human–animal relations. Art & Research: A Journal of Ideas Contexts and Methods, 2 (2).

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Three attempts [video]. [Show/Exhibition] In: I Seminário Internacional Arte e Natureza: Matilha recebe mostra de Vídeo Arte, 10-16 June 2011, Matilha Cultural, São Paulo, Brazil.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) Trout fishing in America and other stories. In: How can art advance sustainability? symposium, 3 October 2014, Arizona State University (ASU) Art Museum, Tempe, Arizona, USA. (Unpublished)
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2007) Tuesday Talk: Bryndís Snæbjörnsdóttir & Mark Wilson. In: Tuesday Talks, 30 January 2007, Cornerhouse, Manchester, UK. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Uncertainty in the city. The Green Box, Berlin, Germany.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2010) Uncertainty in the city. Art Lies, 65 .
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Uncertainty in the city. In: Minding Animals, 13-18 July 2009, Newcastle University, Australia. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2010) Uncertainty in the city: pests, pets and prey. [Show/Exhibition] In: Uncertainty in the City: Pests, Pets, and Prey, 21 September – 27 November 2010, Lancaster, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) Uncertainty in the city: radio animal. Animals and Society (Australia) Study Group News Bulletin, June . pp. 11-12.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Vanishing point: where species meet. In: The Animal Gaze Returned, 27-28 October 2011, London Metropolitan University, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) View from up here: the Arctic at the center of the world. [Show/Exhibition] In: View From Up Here: The Arctic at the Center of the World, 6 May - 18 September 2016, Polar Lab, Anchorage Museum, Alaska.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2012) What we can do: art methodologies and parities in meeting. In: Blake, Charlie, Molloy, Claire and Shakespeare, Steven, (eds.) Beyond human: from animality to transhumanism. Bloomsbury Continuum, London, pp. 77-96.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) What we can do: art methodologies and parities in meeting. In: Representing Animals (in Britain), 21 October 2011, University of Rennes, France. (Unpublished)
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) What’s lost is found. In: Practicing (in) Uncertainty Colloquium, 6 May 2014, Chelsea College of Arts, University of the Arts, London, UK. (Unpublished)
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) You must carry me now. [Show/Exhibition] In: Infinite Next, 7 May - 19 June 2016, Nýlistasafnið (The Living Art Museum), Reykjavík, Iceland.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2016) You must carry me now. [Show/Exhibition] In: Ákall / Challenge: Art in the Service of Sustainability, July 2016, United Nations, New York, US.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2010) The empty wilderness: seals and animal representation. In: Benediktsson, Karl and Lund, Katrin, (eds.) Conversations with landscape. Anthropological Studies of Creativity and Perception . Ashgate, Farnham, UK, pp. 211-226.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2015) Ákall / Challenge. [Show/Exhibition] In: Ákall / Challenge, 24 January - 23 April 2015, Listasafn Árnesinga Art Museum, Hveragerði, Iceland.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2010) nanoq - flat out and bluesome [photographic exhibition]. [Show/Exhibition] In: Nanoq - flat out and bluesome, 13 February - 11 July 2010, The Manchester Museum, Manchester, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2014) nanoq and the indeterminate north. In: Art + Environment Conference, 9-11 October 2014, Nevada Museum of Art, Reno, NV, US. (Unpublished)

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2010) nanoq: flat out and bluesome. [Show/Exhibition] In: Sedition, 18 September - 28 November 2010, Tullie House Museum, Carlisle, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2009) A safe passage. In: Farrell, Rosie, Harrington, Rosie, Hutchinson, James and Young, Lesley, (eds.) Art Prize. Salford Restoration Office on behalf of Manchester Metropolitan University, Manchester, UK.

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Íslenskir fuglar. [Show/Exhibition] In: Í bili (In between), 26 August - 23 October 2011, Hafnarborg, The Hafnarfjordur Centre of Culture and Fine Art, Iceland.
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Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2008) Íslenskir fuglar. [Show/Exhibition] In: Bæ bæ Ísland, 15 March - 11 May 2008, Akureyri Art Museum, Akureyri, Iceland.
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Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 , Aloi, Giovanni and Hansen, Rikke (2010) Radio animal. Antennae: the journal of nature in visual culture (13). pp. 10-14.
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Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 , Baker, Steve and Birrell, Ross (2007) Bryndís Snæbjörnsdóttir/Mark Wilson in conversation with Steve Baker and Ross Birrell: on animals, death and Derrida’s cat. Art & Research : A Journal of Ideas Contexts and Methods, 1 (2).

Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 , Broglio, Ron and Cheatham, Robert (2007) Delayed: live from Edge City (podcast). [Show/Exhibition] In: Delayed: Live from Edge City, 9 April 2007, Georgia Tech (Georgia Institute of Technology), Atlanta, GA, US.

Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Brown, Chloe (2009) Snaebjornsdottir/Wilson/Brown. In: Kivland, Sharon, (ed.) Transmission: Host: The Stranger. Artwords Press, London, UK, p. 14.

Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Brown, Chloe (2009) Transmission host - Stranger. In: Transmission, 11 February 2009, Sheffield Hallam University, UK. (Unpublished)

Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Flink, Ulrika (2010) Konst och djur - interview. Hjärnstorm (Brainstorm), 102/3 . pp. 12-19.

Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Foster, Kate (2011) Kate Foster in conversation with Bryndís Snæbjörnsdóttir and Mark Wilson. Art & Research : A Journal of Ideas Contexts and Methods, 4 (1).

Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Fudge, Erica (2010) Animals in proximity and the broken skin: mice, rats, moles, bats and bugs. [Show/Exhibition] In: Uncertainty in the City: Pests, Pets, and Prey: Talks on Art, 16 October 2010, Lancaster, UK.

Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Hagström, Andréas (2011) Conversation with Snæbjörnsdóttir & Wilson. Göteborg International Biennial for Contemporary Art .

Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Lurz, Peter (2010) The desirable neighbour and the threat of the new: red squirrel, grey squirrel and Pandora’s box. [Show/Exhibition] In: Uncertainty in the City: Pests, Pets, and Prey: Talks on Art, 13 November 2010, Lancaster, UK.

Snaebjornsdottir, Bryndis, Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Wilbert, Chris (2010) The wild and the cultivated and schisms in paradise-imaging: raptors, pigeons, the real and the fancied. [Show/Exhibition] In: Uncertainty in the City: Pests, Pets, and Prey: Talks on Art, 30 October 2010, Lancaster, UK.

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Taylor, Paul and Kelsey, Jan (2007) Home Sweet Home. [Show/Exhibition] In: Home Sweet Home, Dates between 6th June to 29th November 2007, Various locations in Cumbria.

Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2019) Domestic Bliss. [Show/Exhibition] In: Domestic Bliss, 8th March 2019 - 8th March 2020, Glasgow's Gallery of Modern Art. (Unpublished)
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2016) White wash death watch. [Show/Exhibition] In: 16th Glasgow Short Film Festival, 16-20 March 2016, Glasgow, UK.
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Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 and Harman, Ben (2006) Interview: Preview Magazine. Preview . pp. 18-19.
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2002) Bibliomania 2000 / 2001. In: Morris, Simon, (ed.) Bibliomania 2000 / 2001. Information as Material, New York. USA.

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2015) Die praxis der wunderkammer / The practice of the wunderkammer. In: Curiosity 2.0: Die wunderkammer in der zeitgenössischen kunst / The cabinet of curiosities in contemporary art, 16-17 January 2015, Höchschüle für Bildendenkunst, Dresden, Germany. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2015) Dis manibus: a taxonomy of ghosts and ghostly phenomena. In: Dis manibus: a taxonomy of ghosts and ghostly phenomena, 24 January 2015, Atticus bookshop, Lancaster, UK. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2014) Dis manibus: a taxonomy of ghosts from popular forms. In: Dis manibus: a taxonomy of ghosts from popular forms, 23 July 2014, Morbid Anatomy Museum, Brooklyn, NY, USA. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2014) Dis manibus: a taxonomy of ghosts from popular forms: an illustrated taxonomy of ghosts and ghostly phenomena. In: Haunted taxonomies, 23 September 2014, The Horse Hospital, London, UK. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2004) Disjecta cogitata. Archaeological Review from Cambridge, 19 (1). pp. 139-156.
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2006) Dove Cottage Invokation. In: The We Are Seven Commune Project, 9 July 2006, Dove Cottage, Grasmere, UK. (Unpublished)

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2014) Kunst und alchemie: das geheimnis der verwandlung. [Show/Exhibition] In: Kunst und alchemie: das geheimnis der verwandlung (Art and alchemy: the mystery of transformation), 5 April 2014 - 10 August 2014, Stiftung Museum Kunstpalast, Düsseldorf, Germany. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2014) Mark Dion: The Academy of Things. [Show/Exhibition] In: Mark Dion: The Academy of Things, 24 October 2014 - 25 January 2015, Dresden, Germany. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2010) Memento Mori; Reliquum Mortua. [Show/Exhibition] In: 10th Blind Pond Film & Video Festival, 9-11 July 2010, Narrowsburg, New York, USA. (Unpublished)

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2019) Mundus Imaginalis & Intellectus Agens: Imagination and agency in making relational organigrammes. In: Organigrammes. L’art face aux mondes complexes, 22nd - 23rd November 2019, l’Axe A2S (Arts, Sciences, Société) de l’Institut ACTE. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2013) Robert Williams. In: Briggs, Kate and Russo, Lucrezia, (eds.) The Nabokov paper: a project by Kate Briggs and Lucrezia Russo. Information as material, York, UK.
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2013) Uncanny talking animals. In: Dodds, Andrew and Thurston, Nick, (eds.) I, Sparkie. Information as Material, York, UK.

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2014) Veracities: sculpture, Minimalism and Dan Flavin. In: Exhibition lecture with Robert Williams, 10 October 2014, Gracefield Arts Centre, Dumfries, Scotland. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 (2023) The alchemist’s shack. [Show/Exhibition] In: Prima Materia: The Periodic Table in Contemporary Art, 5 February - 27 August 2023, The Aldritch Contemporary Art Museum, Connecticut, US.
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Aylward-Williams, Jack (2008) Because, because I do, I do. [Show/Exhibition] In: Lake District Summer Music Festival: Discovering Music, 9 August 2008, University of Cumbria, Ambleside, UK. (Unpublished)

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Aylward-Williams, Jack (2013) The Nabokov paper: an experiment in novel-reading. [Show/Exhibition] In: The Nabakov paper: an experiment in novel-reading, 26 October - 22 November 2013, Laurence Sterne Trust, Shandy Hall, Coxwold, UK. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Aylward-Williams, Jack (2014) Robert Williams & Jack Aylward-Williams: Ars quotidianus cogitata: practice & collaborations 2005-2014. In: The Artist Teacher MEd Master Class, 20 September 2014, Gallery of Modern Art, Glasgow, Scotland. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Aylward-Williams, Jack (2014) Systema naturae: a history of in-animate nature by Robert Williams & Jack Aylward-Williams. [Show/Exhibition] In: Systema naturae: a history of in-animate nature, 24 May - 21 June 2014, The Galley, Atlas Works, Carlisle, UK. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Aylward-Williams, Jack (2007) Two projects about collecting: Thesaurus Scienta Lancastriae & Virga et Lapilla. In: Storey Gallery Talks on Art Series 2: Inside Out, 15 May 2007, The Borough Club, Lancaster, UK. (Unpublished)

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Aylward-Williams, Jack (2006) Two projects about collecting: Thesaurus Scienta Lancastriae & Virga et Lapilla. In: Opening the Cabinet: Artists and Museums - Building Closer Links, 7 December 2006, Harris Museum & Art Gallery, Preston, UK. (Unpublished)

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Aylward-Williams, Jack (2010) Visualising social life. In: Spencer, Stephen, (ed.) Visual research methods in the social sciences: awakening visions. Routledge, London, UK, pp. 30-32.
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 , Briggs, Kate and Schafer, Hilmar (2017) Calvariae disjecta: the many hauntings of Burton Agnes Hall. Information as Material, York, UK.
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 , Briggs, Kate and Topping, Jane ORCID logo ORCID: https://orcid.org/0000-0002-8148-6684 (2018) The Curios Society: Alchemy. In: The Curios Society - Alchemy, 3 March 2018, Whitechapel Gallery, London, UK. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Dion, Mark (2005) Mark Dion: The Tasting Garden. In: Smith, Valerie, Ammirati, Domenick and Liese, Jennifer, (eds.) Down the garden path: the artist's garden after modernism. Queens Museum of Art, New York, USA, pp. 160-161.

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Schafer, Hilmar (2014) Alchemist's Shack III: Underworlds. [Show/Exhibition] In: Alchemist's Shack III: Underworlds, 14 July - 3 August 2014, Mildred’s Lane, Pennsylvania, USA. (Unpublished)
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Williams, Sue (2010) The Mildred's Lane brown paper package project. In: Mildred's Lane Brown Paper Packages Fundraiser, October 30 2010, Mildred’s Lane, Beach Lake, PA. (Unpublished)

Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Wilson, Bryan McGovern (2013) Cumbrian alchemy. UniPress University of Cumbria.
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Williams, Robert ORCID logo ORCID: https://orcid.org/0000-0002-7771-2415 and Wilson, Bryan McGovern (2014) Cumbrian alchemy: certum quia impossibile est. [Show/Exhibition] In: Cumbrian Alchemy, 16 February - 13 April 2014, Rheged Centre, Penrith, UK. (Unpublished)
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2012) Beyond control: towards an ecology of uncertainty. Doctoral thesis, University of Cumbria (awarding body Lancaster University).
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2016) Matrix: at the center of periphery: climate displacement, immigration and artists of social action. In: 4th Arctic Circle Assembly, 7-9 October 2016, Reykjavík, Iceland. (Unpublished)

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2019) On power and letting go. In: Visual Cultures public lecture series 'Living Extinctions':, 21st November 2019, Goldsmiths, London.. (Unpublished)

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2018) On the oblique imperative: an examination of the obfuscating nature of spectacle in art and conservation. In: Minding Animals International Conference (MAC4), 17-24 January 2018, Ciudad Universitaria, Mexico. (Unpublished)

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2017) On the oblique imperative: an examination of the obfuscating nature of spectacle in art and conservation. In: 31st Annual Meeting of the Society for Literature, Science, and the Arts: Out of Time (SLSA 2017), 9-12 November, 2017, Arizona State University, Tempe, US. (Unpublished)

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2013) Promised land: ecologies of uncertainty. [Show/Exhibition] In: Nordic Art Between Miracles, 7 March - 7 April 2013, Centre for Contemporary Art, Tbilisi, Georgia.

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2014) Socio and ecological design in the Anthropocene. In: Anthropocene Campus: Designing the Anthropocene, 14-22 November 2014, Haus der Kulturen der Welt, Berlin, Germany. (Unpublished)
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2016) Untying the knots: relational art and the meetings of species. In: Mensch-Tier-Kontakte in Kunst, Literatur, Kultur und Wissenschaft (Animal Encounters: Human-Animal Contacts in the Arts, Literature, Culture, and the Sciences), 25-27 November 2016, University of Erlangen-Nuremberg, Germany. (Unpublished)

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2011) What we can do. In: Interactive Futures '11: Animal Influence, 17-19 November 2011, Emily Carr University of Art & Design, Vancouver, Canada. (Unpublished)
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2015) You must carry me now. In: Visualising the Animal Conference, 18-19 June 2015, University of Cumbria, Carlisle, UK. (Unpublished)

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2018) You must carry me now: on grieving and extinction. In: Minding Animals International Conference (MAC4), 17-24 January 2018, Ciudad Universitaria, Mexico. (Unpublished)

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2015) You must carry me now: the cultural lives of endangered species. In: After Biopolitics: 29th Annual (SLSA) Society of Literature, Science, and the Arts Conference, 12-15 November 2015, Rice University, Houston, TX, US. (Unpublished)
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2006) nanoq: flat out and bluesome: a cultural life of polar bears. Black Dog Publishing, London, UK.

Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snaebjornsdottir, Bryndis (2014) The we of 'we': re-thinking back to the garden. In: Northrup, Joanne and Fox, William, (eds.) Late harvest. Hirmer, Munich, Germany.
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Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 and Snæbjörnsdóttir, Bryndis (2021) Data plus affect: interspecific accommodation in the models of art. In: Bezan, Sarah and McKay, Robert, (eds.) Animal remains. Routledge, New York, US, pp. 223-243.

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Youngson, Annabel ORCID logo ORCID: https://orcid.org/0000-0003-1482-0029 (2017) The occupation of mixed media art and its role in creativity and reflection. British Journal of Occupational Therapy, 80 (S8). p. 31.
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