Items where Subject is "778 Fields & kinds of photography"
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Up a level- Dewey Subject Headings (51)
- 700 ARTS & RECREATION (INCL. SPORT) (51)
- 770 PHOTOGRAPHY & COMPUTER ART (51)
- 778 Fields & kinds of photography (51)
- 770 PHOTOGRAPHY & COMPUTER ART (51)
- 700 ARTS & RECREATION (INCL. SPORT) (51)
Group by: Authors | Item Type
Number of items at this level: 51.
B
Baranava, Aksana
(2015)
Qualitative research on landscape photography as an aesthetic experience for establishment of positive human-nature relationships and the sense of place.
Masters
dissertation,
University of Cumbria.
![[thumbnail of Baranava_QualitativeResearchOn.pdf]](/style/images/fileicons/application_pdf.png)
Brook, Pete and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2014)
Shit photos decry a messy, inconvenient truth.
Prison Photography
.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2014)
Shit photos decry a messy, inconvenient truth.
Prison Photography
.
(Unpublished)
Preview
C
Coupland, Douglas and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2002)
You're either with us or against us.
Adbusters: Journal of the Mental Environment, 39
.
ORCID: https://orcid.org/0000-0002-8746-5315
(2002)
You're either with us or against us.
Adbusters: Journal of the Mental Environment, 39
.
![[thumbnail of magazine cover]](https://insight.cumbria.ac.uk/4520/1/Darwell_YoureEither.png)
D
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2002)
Brian, a retired shepherd, taking a break during the removal of the parlour floor from an infected farm building.
In: Adams, Clive, (ed.)
Love, labour & loss: 300 years of British livestock farming in art.
Tullie House Museum and Art Gallery, Carlisle, UK, p. 2.
ORCID: https://orcid.org/0000-0002-8746-5315
(2002)
Brian, a retired shepherd, taking a break during the removal of the parlour floor from an infected farm building.
In: Adams, Clive, (ed.)
Love, labour & loss: 300 years of British livestock farming in art.
Tullie House Museum and Art Gallery, Carlisle, UK, p. 2.
Preview
![[thumbnail of image used]](https://insight.cumbria.ac.uk/4521/2/dark-days-16.jpg)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2016)
Case study: John Darwell.
In: Read, Shirley and Simmons, Mike, (eds.)
Photographers and research: the role of research in contemporary photographic practice.
Focal Press / Routledge, New York, US, pp. 50-61.
ORCID: https://orcid.org/0000-0002-8746-5315
(2016)
Case study: John Darwell.
In: Read, Shirley and Simmons, Mike, (eds.)
Photographers and research: the role of research in contemporary photographic practice.
Focal Press / Routledge, New York, US, pp. 50-61.
Preview
![[thumbnail of Darwell_CaseStudy.jpg]](https://insight.cumbria.ac.uk/2822/8/Darwell_CaseStudy.jpg)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2011)
Dogs in cages.
[Show/Exhibition]
In: Confined, 13 May - 10 July 2011, Bluecoat Gallery, Liverpool, UK.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2011)
Dogs in cages.
[Show/Exhibition]
In: Confined, 13 May - 10 July 2011, Bluecoat Gallery, Liverpool, UK.
(Unpublished)
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2015)
Entrance to Welton Pyre [image].
In: Alexander, Jesse A.P., (ed.)
Perspectives on place: theory and practice in landscape photography.
Required Reading Range
.
Bloomsbury (Fairchild Books), London & New York, p. 131.
ORCID: https://orcid.org/0000-0002-8746-5315
(2015)
Entrance to Welton Pyre [image].
In: Alexander, Jesse A.P., (ed.)
Perspectives on place: theory and practice in landscape photography.
Required Reading Range
.
Bloomsbury (Fairchild Books), London & New York, p. 131.
![[thumbnail of Darwell_PerspectivesOnPlace.jpg]](https://insight.cumbria.ac.uk/4312/1/Darwell_PerspectivesOnPlace.jpg)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2014)
Grangemouth and the Forth Estuary.
Cafe Royal Books, Preston, UK.
ORCID: https://orcid.org/0000-0002-8746-5315
(2014)
Grangemouth and the Forth Estuary.
Cafe Royal Books, Preston, UK.
![[thumbnail of Darwell_Grangemouth.jpg]](https://insight.cumbria.ac.uk/1786/1/Darwell_Grangemouth.jpg)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2011)
Hadrian's Wall [image].
In: Wells, Liz, (ed.)
Land matters: landscape photography, culture and identity.
International Library of Cultural Studies
.
I.B. Taurus, London & New York, pp. 178-181.
ORCID: https://orcid.org/0000-0002-8746-5315
(2011)
Hadrian's Wall [image].
In: Wells, Liz, (ed.)
Land matters: landscape photography, culture and identity.
International Library of Cultural Studies
.
I.B. Taurus, London & New York, pp. 178-181.
![[thumbnail of Darwell_LandMatters.jpg]](https://insight.cumbria.ac.uk/4311/1/Darwell_LandMatters.jpg)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2018)
How to survive as an artist within a rural environment.
In: Platform: Northwest Arts Development Lab, 5-7 October 2018, Signal Film & Media, Barrow-in-Furness, UK.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2018)
How to survive as an artist within a rural environment.
In: Platform: Northwest Arts Development Lab, 5-7 October 2018, Signal Film & Media, Barrow-in-Furness, UK.
(Unpublished)
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2005)
II volto della follia: cent'anni di immagini del dolore [The face of madness: a century of pain images].
In: Parmiggiani, Sandro, (ed.)
The face of madness. A hundred years of pain images.
Skira, Milan, Italy, pp. 329-335.
ORCID: https://orcid.org/0000-0002-8746-5315
(2005)
II volto della follia: cent'anni di immagini del dolore [The face of madness: a century of pain images].
In: Parmiggiani, Sandro, (ed.)
The face of madness. A hundred years of pain images.
Skira, Milan, Italy, pp. 329-335.
![[thumbnail of Darwell_IIVoltoDella.jpg]](https://insight.cumbria.ac.uk/4313/1/Darwell_IIVoltoDella.jpg)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2005)
II volto della follia: cent'anni di immagini del dolore [The face of madness: a century of pain images].
[Show/Exhibition]
In: II volto della follia: cent'anni di immagini del dolore, 6 November 2005 - 15 January 2006, Palazzi Magnani and Correggio, Palazzo de Principi, Reggio Emilia, Italy.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2005)
II volto della follia: cent'anni di immagini del dolore [The face of madness: a century of pain images].
[Show/Exhibition]
In: II volto della follia: cent'anni di immagini del dolore, 6 November 2005 - 15 January 2006, Palazzi Magnani and Correggio, Palazzo de Principi, Reggio Emilia, Italy.
(Unpublished)
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2002)
John Darwell, the unclear age.
Baby
(7).
pp. 18-19.
ORCID: https://orcid.org/0000-0002-8746-5315
(2002)
John Darwell, the unclear age.
Baby
(7).
pp. 18-19.
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2001)
Legacy.
[Show/Exhibition]
In: Legacy, March 2001, Tullie House Museum & Art Gallery, Carlisle, UK.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2001)
Legacy.
[Show/Exhibition]
In: Legacy, March 2001, Tullie House Museum & Art Gallery, Carlisle, UK.
(Unpublished)
![[thumbnail of Darwell_Legacy.jpg]](https://insight.cumbria.ac.uk/4375/1/Darwell_Legacy.jpg)
![[thumbnail of Darwell_Legacy2.jpg]](https://insight.cumbria.ac.uk/4375/2/Darwell_Legacy2.jpg)
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2013)
The Merzbauten: influence [online article].
Merz Barn [website]
.
ORCID: https://orcid.org/0000-0002-8746-5315
(2013)
The Merzbauten: influence [online article].
Merz Barn [website]
.
![[thumbnail of image used]](https://insight.cumbria.ac.uk/4567/5/after-schwitters-08.jpg)
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2018)
Morecambe Bay (triptych) C-Type prints.
[Show/Exhibition]
In: University of Bolton School of Arts Commemorative Exhibition, 22 September 2018 - 31 December 2018, Bolton Museum and Art Gallery, UK.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2018)
Morecambe Bay (triptych) C-Type prints.
[Show/Exhibition]
In: University of Bolton School of Arts Commemorative Exhibition, 22 September 2018 - 31 December 2018, Bolton Museum and Art Gallery, UK.
(Unpublished)
![[thumbnail of Darwell_MorecambeBay.jpg]](https://insight.cumbria.ac.uk/4220/1/Darwell_MorecambeBay.jpg)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2017)
My practice: an overview.
In: Northern Photography Symposium: Publishing, Presenting and Exhibiting, Reaching 21st Century Audiences - a View from the North, 21 June 2017, University of Bolton, UK.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2017)
My practice: an overview.
In: Northern Photography Symposium: Publishing, Presenting and Exhibiting, Reaching 21st Century Audiences - a View from the North, 21 June 2017, University of Bolton, UK.
(Unpublished)
![[thumbnail of Darwell_MyPractice.jpg]](https://insight.cumbria.ac.uk/4219/1/Darwell_MyPractice.jpg)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2003)
Nightmares of reason.
Adbusters: Journal of the Mental Environment, 47
(11).
ORCID: https://orcid.org/0000-0002-8746-5315
(2003)
Nightmares of reason.
Adbusters: Journal of the Mental Environment, 47
(11).
![[thumbnail of magazine cover]](https://insight.cumbria.ac.uk/4518/1/Darwell_Nightmares.jpg)
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2020)
Regeneration: images of 1980s Sheffield [TBC].
[Show/Exhibition]
In: Regeneration: images of 1980s Sheffield (TBC), March - July 2020, Weston Park Museum, Sheffield, UK.
ORCID: https://orcid.org/0000-0002-8746-5315
(2020)
Regeneration: images of 1980s Sheffield [TBC].
[Show/Exhibition]
In: Regeneration: images of 1980s Sheffield (TBC), March - July 2020, Weston Park Museum, Sheffield, UK.
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2018)
Sharks in my bathroom.
In: Helsinki Photomedia: Fourth International Photography Research Conference: Reconsidering the 'Post-Truth Condition': Epistemologies of the Photographic Image, 26-28 March 2018, Aalto University, Helsinki, Finland.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2018)
Sharks in my bathroom.
In: Helsinki Photomedia: Fourth International Photography Research Conference: Reconsidering the 'Post-Truth Condition': Epistemologies of the Photographic Image, 26-28 March 2018, Aalto University, Helsinki, Finland.
(Unpublished)
![[thumbnail of Darwell_SharksInMyi.jpg]](https://insight.cumbria.ac.uk/4210/1/Darwell_SharksInMyi.jpg)
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2017)
Sharks in my bathroom.
In: Visualising the Home Conference, 13-14 July 2017, University of Cumbria, UK.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2017)
Sharks in my bathroom.
In: Visualising the Home Conference, 13-14 July 2017, University of Cumbria, UK.
(Unpublished)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2017)
Two familiar paths well-travelled.
In: Barry, Peter and Welstead, William, (eds.)
Extending ecocriticism: crisis, collaboration and challenges in the environmental humanities.
Manchester University Press, Manchester, UK, pp. 132-140.
ORCID: https://orcid.org/0000-0002-8746-5315
(2017)
Two familiar paths well-travelled.
In: Barry, Peter and Welstead, William, (eds.)
Extending ecocriticism: crisis, collaboration and challenges in the environmental humanities.
Manchester University Press, Manchester, UK, pp. 132-140.
![[thumbnail of Darwell_TwoFamiliar.jpg]](https://insight.cumbria.ac.uk/3804/1/Darwell_TwoFamiliar.jpg)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2016)
What happened to Chernobyl?
Edge of Humanity Magazine
.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2016)
What happened to Chernobyl?
Edge of Humanity Magazine
.
(Unpublished)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2014)
A black dog came calling.
In: Helsinki Photomedia: Fourth International Photography Research Conference: Reconsidering the 'Post-Truth Condition': Epistemologies of the Photographic Image, 26-28 March 2018, Aalto University, Helsinki, Finland.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2014)
A black dog came calling.
In: Helsinki Photomedia: Fourth International Photography Research Conference: Reconsidering the 'Post-Truth Condition': Epistemologies of the Photographic Image, 26-28 March 2018, Aalto University, Helsinki, Finland.
(Unpublished)
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2005)
A black dog came calling.
[Show/Exhibition]
In: A Black Dog Came Calling, 3 November 2005, Institute of Psychiatry, London, UK.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2005)
A black dog came calling.
[Show/Exhibition]
In: A Black Dog Came Calling, 3 November 2005, Institute of Psychiatry, London, UK.
(Unpublished)
![[thumbnail of Darwell_ABlackDog.jpg]](https://insight.cumbria.ac.uk/4333/1/Darwell_ABlackDog.jpg)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2020)
A bright and shining future.
Bluecoat Press, Liverpool, UK.
ORCID: https://orcid.org/0000-0002-8746-5315
(2020)
A bright and shining future.
Bluecoat Press, Liverpool, UK.
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2019)
The dog walkers.
F-Stop Magazine, 94
.
ORCID: https://orcid.org/0000-0002-8746-5315
(2019)
The dog walkers.
F-Stop Magazine, 94
.
![[thumbnail of the-dog-walkers-11.jpg]](https://insight.cumbria.ac.uk/4605/1/the-dog-walkers-11.jpg)
![[thumbnail of the-dog-walkers-13.jpg]](https://insight.cumbria.ac.uk/4605/2/the-dog-walkers-13.jpg)
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2017)
A history of my practice: a journey from the post-industrial to the personal.
In: Fieldwork Photography Symposium: the Documentary Impulse, 27 November 2017, University Central Lancashire (UCLan), UK.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2017)
A history of my practice: a journey from the post-industrial to the personal.
In: Fieldwork Photography Symposium: the Documentary Impulse, 27 November 2017, University Central Lancashire (UCLan), UK.
(Unpublished)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2018)
The industrial/post-industrial as unreliable indicator of the Northern landscape.
In: Northern Light: Critical Approaches to Proximity and Distance in Northern Landscape Photography, 2-3 July 2018, Sheffield Hallam University, UK.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2018)
The industrial/post-industrial as unreliable indicator of the Northern landscape.
In: Northern Light: Critical Approaches to Proximity and Distance in Northern Landscape Photography, 2-3 July 2018, Sheffield Hallam University, UK.
(Unpublished)
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
and Abu-Remaileh, Refqa
(2003)
Forgetful. Short attention span. Unable to concentrate.
Adbusters: Journal of the Mental Environment, 46
(11).
ORCID: https://orcid.org/0000-0002-8746-5315
and Abu-Remaileh, Refqa
(2003)
Forgetful. Short attention span. Unable to concentrate.
Adbusters: Journal of the Mental Environment, 46
(11).
![[thumbnail of image used]](https://insight.cumbria.ac.uk/4519/2/a-black-dog-came-calling-06.jpg)
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
, Chwatsky, Anne, Wells, Liz and Mirzoeff, Nicholas
(2006)
Crossing the Atlantic - uneasy spaces.
New York University.
ORCID: https://orcid.org/0000-0002-8746-5315
, Chwatsky, Anne, Wells, Liz and Mirzoeff, Nicholas
(2006)
Crossing the Atlantic - uneasy spaces.
New York University.
![[thumbnail of Darwell_Harris.jpg]](https://insight.cumbria.ac.uk/4516/1/Darwell_Harris.jpg)
Preview
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
and Meecham, Charlie
(2020)
Modelling the animal.
[Show/Exhibition]
In: Modelling the animal, April - June 2020, Deane Clough Mills Gallery, Halifax, Yorkshire.
ORCID: https://orcid.org/0000-0002-8746-5315
and Meecham, Charlie
(2020)
Modelling the animal.
[Show/Exhibition]
In: Modelling the animal, April - June 2020, Deane Clough Mills Gallery, Halifax, Yorkshire.
Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
, Zylinska, Joanna and Cheng, Ting Ting
(2014)
After Schwitters John Darwell.
Photomediations Machine
.
ORCID: https://orcid.org/0000-0002-8746-5315
, Zylinska, Joanna and Cheng, Ting Ting
(2014)
After Schwitters John Darwell.
Photomediations Machine
.
Preview
![[thumbnail of Darwell_AfterSchwitters.jpg]](https://insight.cumbria.ac.uk/4310/2/Darwell_AfterSchwitters.jpg)
Preview
Davies, Huw and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2011)
Introduction to exposure.
In: Clements, Louise and Cramerotti, Alfredo, (eds.)
Format International Photography Festival catalogue - Right here, right now: exposures from the public domain.
QUAD, Derby, UK, p. 94.
ORCID: https://orcid.org/0000-0002-8746-5315
(2011)
Introduction to exposure.
In: Clements, Louise and Cramerotti, Alfredo, (eds.)
Format International Photography Festival catalogue - Right here, right now: exposures from the public domain.
QUAD, Derby, UK, p. 94.
Preview
Dickie, Chris and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2007)
Dark days in Cumbria.
Ag: the International Journal of Photographic Art & Practice, 46
.
pp. 14-15.
ORCID: https://orcid.org/0000-0002-8746-5315
(2007)
Dark days in Cumbria.
Ag: the International Journal of Photographic Art & Practice, 46
.
pp. 14-15.
H
Hernandez, Julia Garcia and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2013)
DDSBs (Discarded Dog Sh*t Bags) by John Darwell.
Contemporary Photography
(53).
pp. 16-18.
ORCID: https://orcid.org/0000-0002-8746-5315
(2013)
DDSBs (Discarded Dog Sh*t Bags) by John Darwell.
Contemporary Photography
(53).
pp. 16-18.
Preview
J
Joost, Katrin
ORCID: https://orcid.org/0000-0002-8731-4779
(2017)
Finding home in photography.
In: Visualising the Home Conference, 13-14 July 2017, University of Cumbria, Carlisle, UK.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8731-4779
(2017)
Finding home in photography.
In: Visualising the Home Conference, 13-14 July 2017, University of Cumbria, Carlisle, UK.
(Unpublished)
Preview
Joost, Katrin
ORCID: https://orcid.org/0000-0002-8731-4779
(2016)
Photographic phenomenology.
In: British Society for Phenomenology (BSP) Annual Conference 2016: The Future of Phenomenology, 2-4 September 2016, International Anthony Burgess Foundation, Manchester, UK.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8731-4779
(2016)
Photographic phenomenology.
In: British Society for Phenomenology (BSP) Annual Conference 2016: The Future of Phenomenology, 2-4 September 2016, International Anthony Burgess Foundation, Manchester, UK.
(Unpublished)
![[thumbnail of podcast of presentation]](/style/images/fileicons/audio.png)
Preview
Joost, Katrin
ORCID: https://orcid.org/0000-0002-8731-4779
(2018)
Photographic post-truth: from idealised perception to the priority of the image.
In: Helsinki Photomedia 2018: Fourth International Photography Research Conference: Reconsidering the 'Post-Truth Condition': Epistemologies of the Photographic Image, 26-28 March 2018, Aalto University, Helsinki, Finland.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8731-4779
(2018)
Photographic post-truth: from idealised perception to the priority of the image.
In: Helsinki Photomedia 2018: Fourth International Photography Research Conference: Reconsidering the 'Post-Truth Condition': Epistemologies of the Photographic Image, 26-28 March 2018, Aalto University, Helsinki, Finland.
(Unpublished)
Preview
Joost, Katrin
ORCID: https://orcid.org/0000-0002-8731-4779
and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2013)
Übersehene spuren: der philosophisch paradoxe begriff der tierliebe in der photographie [Overlooked traces: the philosophically paradoxical concept of animal love in photography].
Tierstudien, 03
.
pp. 91-101.
ORCID: https://orcid.org/0000-0002-8731-4779
and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2013)
Übersehene spuren: der philosophisch paradoxe begriff der tierliebe in der photographie [Overlooked traces: the philosophically paradoxical concept of animal love in photography].
Tierstudien, 03
.
pp. 91-101.
Preview
![[thumbnail of Joost_Ubersehene.jpg]](https://insight.cumbria.ac.uk/1967/2/Joost_Ubersehene.jpg)
Preview
L
Lewis, Walter and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2014)
In conversation with John Darwell.
Waler's Wanderings: Walking, Photography, Landskip and Knowledge
.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2014)
In conversation with John Darwell.
Waler's Wanderings: Walking, Photography, Landskip and Knowledge
.
(Unpublished)
Preview
Lewis, Walter and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2014)
John Darwell / After Schwitters.
Photomonitor
.
ORCID: https://orcid.org/0000-0002-8746-5315
(2014)
John Darwell / After Schwitters.
Photomonitor
.
Preview
![[thumbnail of Darwell_JohnDarwellAfter.jpg]](https://insight.cumbria.ac.uk/4309/2/Darwell_JohnDarwellAfter.jpg)
Preview
M
McArdle, James. M. and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2016)
November 9: Arris.
On This Day in Photography
.
(Unpublished)
ORCID: https://orcid.org/0000-0002-8746-5315
(2016)
November 9: Arris.
On This Day in Photography
.
(Unpublished)
Preview
P
Pullan, Martin
(2018)
Martin's struggle to film an otter [online blog].
Educing Frames [website]
.
(Unpublished)
Preview
R
Ricketts, Jennie and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2007)
Book review: Dark days.
RPS Journal, 147
.
p. 183.
ORCID: https://orcid.org/0000-0002-8746-5315
(2007)
Book review: Dark days.
RPS Journal, 147
.
p. 183.
Preview
S
Svetlana, Alexievich and Darwell, John
ORCID: https://orcid.org/0000-0002-8746-5315
(2004)
Voices from Chernobyl.
Paris Review
(172).
pp. 94-127.
ORCID: https://orcid.org/0000-0002-8746-5315
(2004)
Voices from Chernobyl.
Paris Review
(172).
pp. 94-127.
T
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
(2017)
A 35mm 208-ish frame version of Blade Runner for the Harp Room (2017) [film].
[Artefact]
ORCID: https://orcid.org/0000-0002-8148-6684
(2017)
A 35mm 208-ish frame version of Blade Runner for the Harp Room (2017) [film].
[Artefact]
![[thumbnail of Topping_A35mm208ish.jpg]](https://insight.cumbria.ac.uk/4276/1/Topping_A35mm208ish.jpg)
Preview
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
(2014)
Peter (2014) [film].
[Artefact]
(Unpublished)
ORCID: https://orcid.org/0000-0002-8148-6684
(2014)
Peter (2014) [film].
[Artefact]
(Unpublished)
![[thumbnail of Topping_Peter.jfif]](/style/images/fileicons/image.png)
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
and Vernon, Mark
(2018)
Disaggregated Industries [film].
[Artefact]
ORCID: https://orcid.org/0000-0002-8148-6684
and Vernon, Mark
(2018)
Disaggregated Industries [film].
[Artefact]
Preview
![[thumbnail of Topping_DisaggregatedIndustries.jpg]](https://insight.cumbria.ac.uk/4275/2/Topping_DisaggregatedIndustries.jpg)
Preview
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
and Vernon, Mark
(2018)
nou (2018) [film].
[Artefact]
(Unpublished)
ORCID: https://orcid.org/0000-0002-8148-6684
and Vernon, Mark
(2018)
nou (2018) [film].
[Artefact]
(Unpublished)
W
Wilson, Mark
ORCID: https://orcid.org/0000-0003-4123-2118
and Snaebjornsdottir, Bryndis
(2006)
nanoq: flat out and bluesome: a cultural life of polar bears.
Black Dog Publishing, London, UK.
ORCID: https://orcid.org/0000-0003-4123-2118
and Snaebjornsdottir, Bryndis
(2006)
nanoq: flat out and bluesome: a cultural life of polar bears.
Black Dog Publishing, London, UK.