Items where Subject is "780 Music"
- Dewey Subject Headings (59)
- 700 ARTS & RECREATION (INCL. SPORT) (59)
- 780 MUSIC (59)
- 780 Music (59)
- 780 MUSIC (59)
- 700 ARTS & RECREATION (INCL. SPORT) (59)
Group by: Authors | Item Type
Number of items at this level: 58.
A
Araoz, Gonzalo
(2009)
(Re)creating musical temporality in the carnival of Oruro, Bolivia.
In: Latin America Studies Association LASA2009: Rethinking Inequalities, 11-14 June 2009, Rio De Janeiro, Brazil.
(Unpublished)
D
Dalgarno, Gordon
(2009)
Effects on muscles in the body through listening to music and emotional responses.
In: Research FEST 2009, July 2009, University of Cumbria.
Dalgarno, Gordon
(2008)
Therapy with music precisely tuned to the individual’s own frequencies as indicated by muscle responses.
In: Research Fest 2008, July 2008, University of Cumbria, UK.
(Unpublished)
Dollan, Michael
(2016)
Managing professional change and development: an investigation of the observed and perceived values of the use of music in the teaching of mathematics within the EYFS and Year One.
The STeP Journal: Student Teacher Perspectives, 3
(1).
pp. 18-30.
E
Easton, Bethany
(2023)
‘Reatlemania’: new fan opportunities through Paul McCartney’s solo activities between 2018 and 2022.
Journal of Beatles Studies, 2023
(Spring).
pp. 41-64.
Elliott, David
ORCID: https://orcid.org/0000-0003-4790-2354
(2012)
Relaxing music for anxiety control: can appropriately selected music be used to control competitive state anxiety?
Doctoral
thesis,
University of Cumbria / Lancaster University.
Elliott, David
ORCID: https://orcid.org/0000-0003-4790-2354
(2020)
Selecting music for exercise: the music preferences of UK exercisers.
Cogent Psychology, 7
(1).
p. 1802928.
Elliott, David
ORCID: https://orcid.org/0000-0003-4790-2354
, Polman, Remco and McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2011)
Relaxing music for anxiety control.
Journal of Music Therapy, 48
(3).
pp. 264-288.
Elliott, David
ORCID: https://orcid.org/0000-0003-4790-2354
, Polman, Remco and Taylor, Julie
ORCID: https://orcid.org/0000-0003-4113-3857
(2014)
The effects of relaxing music for anxiety control on competitive sport anxiety.
European Journal of Sport Science, 14
(S1).
S296-S301.
J
Jones, Nicholas and McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2020)
The music of Peter Maxwell Davies.
Boydell & Brewer.
K
Kusumawati, Reni Diah, Oswari, Teddy, Yusnitasari, Tristyanti, Dutt, Himanshu and Shukla, Vijay Kumar
(2020)
Investigating customer satisfaction towards music website in Indonesia and India: a comparative study.
International Journal of Digital Signals and Smart Systems, 4
(1-3).
pp. 17-39.
L
Lynn, Katie
(2017)
What influences children’s choice of musical instrument?
The STeP Journal (Student Teacher Perspectives), 4
(4).
pp. 42-51.
Lyons, John F., Donnelly, Mark, Hernandez, Stephanie, Kapurch, Katie, Easton, Bethany and Rohr, Nicolette
(2023)
Reviews: Act Naturally.
Journal of Beatles Studies, 2023
(Spring).
pp. 183-214.
M
McCulloch, Samantha J. and Miller, Paul K.
ORCID: https://orcid.org/0000-0002-5611-1354
(2019)
Healthy ageing: the flower children’s emotional responses to music in exercise.
In: BASES Student Conference 2019: Sport and Exercise Science - Transforming Lives, 17-18 April 2019, University of Dundee and Abertay University, UK.
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2011)
'Active Agony’ within Wolfgang Rihm’s Tutuguri and the 4th String Quartet.
In: EuroMac VII European Music Analysis Conference, 29 September - 2 October 2011, Rome, Italy.
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2009)
Appendix II: source material used in the works of Peter Maxwell Davies, 1957–2006.
In: Gloag, Kenneth and Jones, Nicholas, (eds.)
Peter Maxwell Davies studies.
Cambridge Composer Studies
.
Cambridge University Press, Cambridge, UK, pp. 242-254.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2008)
Ave Maris Stella revisited.
In: Musica Scotica's Fourth Annual Conference, 26 April 2008, University of Glasgow, Scotland.
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2003)
Breadth, depth or somewhere in between? Interpreting the compositional process in the music of Wolfgang Rihm.
In: Conference, 2003, University of East Anglia, Norwich, UK.
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2006)
Canción Del Naranja Seco.
[Musical Composition]
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2006)
Deseo.
[Musical Composition]
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2007)
Fanfare “The University of Cumbria”.
[Musical Composition]
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2004)
For the Fallen.
[Musical Composition]
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2017)
Foreword by Richard McGregor.
In: Knockaert, Yves, (ed.)
Wolfgang Rihm, a Chiffre: the 1980s and beyond.
Leuven University Press, Leuven, Belgium, pp. 11-17.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2010)
Hunting and forms: an interview with Wolfgang Rihm.
In: Paddison, Max and Deliege, Irene, (eds.)
Contemporary music: theoretical and philosophical perspectives.
Ashgate Publishing, Surrey, UK, pp. 349-368.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(1999)
I am the rose of Sharon.
[Musical Composition]
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2014)
In plain sight: aspects of developmental process in Sally Beamish's
Seafarer trilogy.
In: Musica Scotica 9th Annual Conference, 26-27 April 2014, University of Aberdeen, UK.
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2020)
In plain sight: aspects of developmental process in Sally Beamish's Seafarer trilogy.
Scottish Music Review, 5
.
pp. 87-111.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2007)
Interpreting compositional process in Wolfgang Rihm's Chiffre cycle.
Frankfurter Zeitschrift für Musikwissenschaft, 10
.
pp. 26-70.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2007)
James MacMillan: O Bone Jesu.
Scottish Music Review, 2
(1).
pp. 88-114.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2007)
James MacMillan: O Bone Jesu.
In: Musica Scotica Conference, 28 April 2007, University of Glasgow, UK.
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2006)
La Balada de Agua del Mar.
[Musical Composition]
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2007)
Let Thy Hand be Strengthened.
[Musical Composition]
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2020)
MacMillan's 'Mission' and the Passion Settings.
In: Parsons, George and Sholl, Robert, (eds.)
James MacMillan Studies.
Cambridge University Press, Cambridge, pp. 129-148.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2008)
Madrigales I and II.
[Musical Composition]
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2009)
Magnificat for Corinna.
[Musical Composition]
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(1996)
The Maxwell Davies sketch material in the British Library: an appendix.
Tempo
(197).
pp. 20-22.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2009)
Maxwell Davies’s sources: reflections on origins, meanings and significance.
In: Gloag, Kenneth and Jones, Nicholas, (eds.)
Peter Maxwell Davies Studies.
Cambridge Composer Studies
.
Cambridge University Press, Cambridge, UK, pp. 150-170.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2010)
Muzyka Petera Maxwella Daviesa (Music by Peter Maxwell Davies).
In: Kwiecińska, Agata, (ed.)
Nowa muzyka brytyjska.
sacrum+profanum/korporacja ha!art, Kraków, Poland.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2000)
Reading the runes.
Perspectives of New Music, 38
(2).
pp. 5-29.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2000)
Reading the runes: an introduction to the ‘secret’ alphabet of Peter Maxwell Davies.
In: Research Fest 2000, June 2000, St Martin's College, Lancaster, UK.
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2011)
Rihm's Tutuguri Appendix 1.
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2010)
Rihm's Tutuguri Table.
Online Publication
.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2009)
Scots wha hae? James MacMillan and the paradoxes of Scottish cultural identity.
In: Sixth Biennial International Conference on Music Since 1900, 2-5 July 2009, Keele University, UK.
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2006)
‘Something rotten in the state of…’ (on the current state of music education).
In: SMART Music Conference, May 2006, Greenwich, UK.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2004)
Star square and circle: aspects of compositional process in Peter Maxwell Davies's Ave Maris Stella.
In: Max Day Mini Conference, December 2004, University of Manchester.
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2006)
Stepping out: Maxwell Davies’s ‘Salome’ as a transitional work.
Tempo, 60
(236).
pp. 2-12.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2012)
Towards a taxonomy of musical inspiration.
Духовність особистості: методологія, теорія і практика (Personality Spirituality: Methodology, Theory and Practice), 1
.
pp. 85-119.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2007)
‘Transubstantiated into the musical…’ : a critical exegesis on metaphor and actuality in James MacMillan’s Veni Veni Emmanuel.
In: Hair, Graham, (ed.)
A companion to recent Scottish music: 1950 to the present.
The Musica Scotica Trust, Glasgow, Scotland, pp. 21-43.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2010)
Why is it so difficult to 'talk about' inspiration?
In: Research and Scholarship Fest, 9 July 2010, University of Cumbria, UK.
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2018)
Wolfgang Rihm: aspects of unity and diversity in his compositional processes.
Contemporary Music Review, 36
(4).
pp. 203-206.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2018)
‘The blast has arrived at the body’: Wolfgang Rihm’s creative explosion of 1981.
Contemporary Music Review, 36
(4).
pp. 237-278.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2023)
The impetus to compose: where is fantasy bred? A search for personal spiritual understandings mediated by the work of several key 20th/21st century composers.
In: Music & Spiritual Realities International Workshop, 19-21 June 2023, University of St Andrews, UK.
(Unpublished)
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2024)
The impetus to compose: where is fantasy bred?
In: Corbett, George and Moerman, Sarah, (eds.)
Music and spirituality: theological approaches, empirical methods, and Christian worship.
Open Book Publishers, Cambridge, UK, pp. 255-270.
McGregor, Richard
ORCID: https://orcid.org/0000-0001-6685-2589
(2017)
An interplay of passion and spirit: The Nightingale's to Blame.
In: Charlton, David, (ed.)
The music of Simon Holt.
Boydell & Brewer, Woodbridge, UK, pp. 40-55.
Millican, Jonathan
(2019)
Premiere of Composition 'I sing of a Maiden'.
[Musical Composition]
(Unpublished)
O
Oswari, Teddy, Yusnitasari, Tristyanti, Kusumawati, Reni Diah and Mittal, Saurabh
(2020)
Design and test music recommendation system for online music websites using collaborative filtering approach.
International Journal of Digital Signals and Smart Systems, 4
(1-3).
pp. 64-79.
S
Sanchez, Xavier
ORCID: https://orcid.org/0000-0002-3498-0276
, Moss, Samantha L., Twist, Craig and Karageorghis, Costas I.
(2013)
On the role of lyrics in the music–exercise performance relationship.
Psychology of Sport and Exercise, 15
(1).
pp. 132-138.
T
Topping, Jane
ORCID: https://orcid.org/0000-0002-8148-6684
(2014)
The women: 8 films.
[Show/Exhibition]
In: DISCORDIA: Generation 25 Years of Contemporary Art in Scotland, 14 June 2014 - 4 July 2014, The Poetry Club, Glasgow, UK.