Items where Subject is "700 ARTS & RECREATION (INCL. SPORT) > 780 MUSIC > 780 Music"

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Number of items at this level: 49.

A

Araoz, Gonzalo (2009) (Re)creating musical temporality in the carnival of Oruro, Bolivia. In: Latin America Studies Association LASA2009: Rethinking Inequalities, 11-14 June 2009, Rio De Janeiro, Brazil. (Unpublished)

D

Dalgarno, Gordon (2009) Effects on muscles in the body through listening to music and emotional responses. In: Research FEST 2009, July 2009, University of Cumbria.
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Dalgarno, Gordon (2008) Therapy with music precisely tuned to the individual’s own frequencies as indicated by muscle responses. In: Research Fest 2008, July 2008, University of Cumbria, UK. (Unpublished)
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Dollan, Michael (2016) Managing professional change and development: an investigation of the observed and perceived values of the use of music in the teaching of mathematics within the EYFS and Year One. The STeP Journal: Student Teacher Perspectives, 3 (1). pp. 18-30.
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E

Elliott, David (2012) Relaxing music for anxiety control: can appropriately selected music be used to control competitive state anxiety? Doctoral thesis, Lancaster University.

Elliott, David, Polman, Remco and McGregor, Richard (2011) Relaxing music for anxiety control. Journal of Music Therapy, 48 (3). pp. 264-288.

Elliott, David, Polman, Remco and Taylor, Julie (2014) The effects of relaxing music for anxiety control on competitive sport anxiety. European Journal of Sport Science, 14 (S1). S296-S301.

J

Jones, Nicholas and McGregor, Richard (2020) The music of Peter Maxwell Davies. Boydell & Brewer.

L

Lynn, Katie (2017) What influences children’s choice of musical instrument? The STeP Journal (Student Teacher Perspectives), 4 (4). pp. 42-51.
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M

McCulloch, Samantha J. and Miller, Paul K. (2019) Healthy ageing: the flower children’s emotional responses to music in exercise. In: BASES Student Conference 2019: Sport and Exercise Science - Transforming Lives, 17-18 April 2019, University of Dundee and Abertay University, UK. (Unpublished)
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McGregor, Richard (2011) 'Active Agony’ within Wolfgang Rihm’s Tutuguri and the 4th String Quartet. In: EuroMac VII European Music Analysis Conference, 29 September - 2 October 2011, Rome, Italy. (Unpublished)
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McGregor, Richard (2009) Appendix II: source material used in the works of Peter Maxwell Davies, 1957–2006. In: Gloag, Kenneth and Jones, Nicholas, (eds.) Peter Maxwell Davies studies. Cambridge Composer Studies . Cambridge University Press, Cambridge, UK, pp. 242-254.
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McGregor, Richard (2008) Ave Maris Stella revisited. In: Musica Scotica's Fourth Annual Conference, 26 April 2008, University of Glasgow, Scotland. (Unpublished)
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McGregor, Richard (2003) Breadth, depth or somewhere in between? Interpreting the compositional process in the music of Wolfgang Rihm. In: Conference, 2003, University of East Anglia, Norwich, UK. (Unpublished)

McGregor, Richard (2006) Canción Del Naranja Seco. [Musical Composition] (Unpublished)

McGregor, Richard (2006) Deseo. [Musical Composition] (Unpublished)

McGregor, Richard (2007) Fanfare “The University of Cumbria”. [Musical Composition] (Unpublished)

McGregor, Richard (2004) For the Fallen. [Musical Composition] (Unpublished)

McGregor, Richard (2017) Foreword by Richard McGregor. In: Knockaert, Yves, (ed.) Wolfgang Rihm, a Chiffre: the 1980s and beyond. Leuven University Press, Leuven, Belgium, pp. 11-17.

McGregor, Richard (2010) Hunting and forms: an interview with Wolfgang Rihm. In: Paddison, Max and Deliege, Irene, (eds.) Contemporary music: theoretical and philosophical perspectives. Ashgate Publishing, Surrey, UK, pp. 349-368.

McGregor, Richard (1999) I am the rose of Sharon. [Musical Composition] (Unpublished)

McGregor, Richard (2014) In plain sight: aspects of developmental process in Sally Beamish's Seafarer trilogy. In: Musica Scotica 9th Annual Conference, 26-27 April 2014, University of Aberdeen, UK. (Unpublished)
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McGregor, Richard (2019) In plain sight: aspects of developmental process in Sally Beamish's Seafarer trilogy. Scottish Music Review, 5 . pp. 87-111.

McGregor, Richard (2007) Interpreting compositional process in Wolfgang Rihm's Chiffre cycle. Frankfurter Zeitschrift für Musikwissenschaft, 10 . pp. 26-70.
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McGregor, Richard (2007) James MacMillan: O Bone Jesu. Scottish Music Review, 2 (1).
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McGregor, Richard (2007) James MacMillan: O Bone Jesu. In: Musica Scotica Conference, 28 April 2007, University of Glasgow, UK. (Unpublished)
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McGregor, Richard (2006) La Balada de Agua del Mar. [Musical Composition] (Unpublished)

McGregor, Richard (2007) Let Thy Hand be Strengthened. [Musical Composition] (Unpublished)

McGregor, Richard (2008) Madrigales I and II. [Musical Composition] (Unpublished)

McGregor, Richard (2009) Magnificat for Corinna. [Musical Composition] (Unpublished)

McGregor, Richard (1996) The Maxwell Davies sketch material in the British Library: an appendix. Tempo (197). pp. 20-22.
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McGregor, Richard (2009) Maxwell Davies’s sources: reflections on origins, meanings and significance. In: Gloag, Kenneth and Jones, Nicholas, (eds.) Peter Maxwell Davies Studies. Cambridge Composer Studies . Cambridge University Press, Cambridge, UK, pp. 150-170.
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McGregor, Richard (2010) Muzyka Petera Maxwella Daviesa (Music by Peter Maxwell Davies). In: Kwiecińska, Agata, (ed.) Nowa muzyka brytyjska. sacrum+profanum/korporacja ha!art, Kraków, Poland.

McGregor, Richard (2000) Reading the runes. Perspectives of New Music, 38 (2). pp. 5-29.
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McGregor, Richard (2000) Reading the runes: an introduction to the ‘secret’ alphabet of Peter Maxwell Davies. In: Research Fest 2000, June 2000, St Martin's College, Lancaster, UK. (Unpublished)

McGregor, Richard (2011) Rihm's Tutuguri Appendix 1. (Unpublished)
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McGregor, Richard (2010) Rihm's Tutuguri Table. Online Publication .
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McGregor, Richard (2009) Scots wha hae? James MacMillan and the paradoxes of Scottish cultural identity. In: Sixth Biennial International Conference on Music Since 1900, 2-5 July 2009, Keele University, UK. (Unpublished)
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McGregor, Richard (2006) ‘Something rotten in the state of…’ (on the current state of music education). In: SMART Music Conference, May 2006, Greenwich, UK.

McGregor, Richard (2004) Star square and circle: aspects of compositional process in Peter Maxwell Davies's Ave Maris Stella. In: Max Day Mini Conference, December 2004, University of Manchester. (Unpublished)
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McGregor, Richard (2006) Stepping out: Maxwell Davies’s ‘Salome’ as a transitional work. Tempo, 60 (236). pp. 2-12.

McGregor, Richard (2012) Towards a taxonomy of musical inspiration. Духовність особистості: методологія, теорія і практика (Personality Spirituality: Methodology, Theory and Practice), 1 . pp. 85-119.
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McGregor, Richard (2007) ‘Transubstantiated into the musical…’ : a critical exegesis on metaphor and actuality in James MacMillan’s Veni Veni Emmanuel. In: Hair, Graham, (ed.) A companion to recent Scottish music: 1950 to the present. The Musica Scotica Trust, Glasgow, Scotland, pp. 21-43.
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McGregor, Richard (2010) Why is it so difficult to 'talk about' inspiration? In: Research and Scholarship Fest, 9 July 2010, University of Cumbria, UK. (Unpublished)

McGregor, Richard (2018) Wolfgang Rihm: aspects of unity and diversity in his compositional processes. Contemporary Music Review, 36 (4). pp. 203-206.
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McGregor, Richard (2018) ‘The blast has arrived at the body’: Wolfgang Rihm’s creative explosion of 1981. Contemporary Music Review, 36 (4). pp. 237-278.
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McGregor, Richard (2017) An interplay of passion and spirit: The Nightingale's to Blame. In: Charlton, David, (ed.) The music of Simon Holt. Boydell & Brewer, Woodbridge, UK, pp. 40-55.
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S

Sanchez, Xavier, Moss, Samantha L., Twist, Craig and Karageorghis, Costas I. (2013) On the role of lyrics in the music–exercise performance relationship. Psychology of Sport and Exercise, 15 (1). pp. 132-138.
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T

Topping, Jane (2014) The women: 8 films. [Show/Exhibition] In: DISCORDIA: Generation 25 Years of Contemporary Art in Scotland, 14 June 2014 - 4 July 2014, The Poetry Club, Glasgow, UK.
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This list was generated on Mon Dec 9 16:07:49 2019 UTC.