Items where Subject is "780 Music"

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Number of items at this level: 56.

A

Araoz, Gonzalo (2009) (Re)creating musical temporality in the carnival of Oruro, Bolivia. In: Latin America Studies Association LASA2009: Rethinking Inequalities, 11-14 June 2009, Rio De Janeiro, Brazil. (Unpublished)

D

Dalgarno, Gordon (2009) Effects on muscles in the body through listening to music and emotional responses. In: Research FEST 2009, July 2009, University of Cumbria.
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Dalgarno, Gordon (2008) Therapy with music precisely tuned to the individual’s own frequencies as indicated by muscle responses. In: Research Fest 2008, July 2008, University of Cumbria, UK. (Unpublished)
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Dollan, Michael (2016) Managing professional change and development: an investigation of the observed and perceived values of the use of music in the teaching of mathematics within the EYFS and Year One. The STeP Journal: Student Teacher Perspectives, 3 (1). pp. 18-30.
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E

Easton, Bethany (2023) ‘Reatlemania’: new fan opportunities through Paul McCartney’s solo activities between 2018 and 2022. Journal of Beatles Studies, 2023 (Spring). pp. 41-64.
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Elliott, David ORCID logoORCID: https://orcid.org/0000-0003-4790-2354 (2012) Relaxing music for anxiety control: can appropriately selected music be used to control competitive state anxiety? Doctoral thesis, University of Cumbria / Lancaster University.
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Elliott, David ORCID logoORCID: https://orcid.org/0000-0003-4790-2354 (2020) Selecting music for exercise: the music preferences of UK exercisers. Cogent Psychology, 7 (1). p. 1802928.
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Elliott, David ORCID logoORCID: https://orcid.org/0000-0003-4790-2354, Polman, Remco and McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2011) Relaxing music for anxiety control. Journal of Music Therapy, 48 (3). pp. 264-288.
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Elliott, David ORCID logoORCID: https://orcid.org/0000-0003-4790-2354, Polman, Remco and Taylor, Julie ORCID logoORCID: https://orcid.org/0000-0003-4113-3857 (2014) The effects of relaxing music for anxiety control on competitive sport anxiety. European Journal of Sport Science, 14 (S1). S296-S301.

J

Jones, Nicholas and McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2020) The music of Peter Maxwell Davies. Boydell & Brewer.

K

Kusumawati, Reni Diah, Oswari, Teddy, Yusnitasari, Tristyanti, Dutt, Himanshu and Shukla, Vijay Kumar (2020) Investigating customer satisfaction towards music website in Indonesia and India: a comparative study. International Journal of Digital Signals and Smart Systems, 4 (1-3). pp. 17-39.
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L

Lynn, Katie (2017) What influences children’s choice of musical instrument? The STeP Journal (Student Teacher Perspectives), 4 (4). pp. 42-51.
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Lyons, John F., Donnelly, Mark, Hernandez, Stephanie, Kapurch, Katie, Easton, Bethany and Rohr, Nicolette (2023) Reviews: Act Naturally. Journal of Beatles Studies, 2023 (Spring). pp. 183-214.
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McCulloch, Samantha J. and Miller, Paul K. ORCID logoORCID: https://orcid.org/0000-0002-5611-1354 (2019) Healthy ageing: the flower children’s emotional responses to music in exercise. In: BASES Student Conference 2019: Sport and Exercise Science - Transforming Lives, 17-18 April 2019, University of Dundee and Abertay University, UK. (Unpublished)
[thumbnail of McCulloch & Miller (2019) - Emotional responses to music in exercise - BASES Student Conference.pdf]
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2011) 'Active Agony’ within Wolfgang Rihm’s Tutuguri and the 4th String Quartet. In: EuroMac VII European Music Analysis Conference, 29 September - 2 October 2011, Rome, Italy. (Unpublished)
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2009) Appendix II: source material used in the works of Peter Maxwell Davies, 1957–2006. In: Gloag, Kenneth and Jones, Nicholas, (eds.) Peter Maxwell Davies studies. Cambridge Composer Studies . Cambridge University Press, Cambridge, UK, pp. 242-254.
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2008) Ave Maris Stella revisited. In: Musica Scotica's Fourth Annual Conference, 26 April 2008, University of Glasgow, Scotland. (Unpublished)
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2003) Breadth, depth or somewhere in between? Interpreting the compositional process in the music of Wolfgang Rihm. In: Conference, 2003, University of East Anglia, Norwich, UK. (Unpublished)

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2006) Canción Del Naranja Seco. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2006) Deseo. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2007) Fanfare “The University of Cumbria”. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2004) For the Fallen. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2017) Foreword by Richard McGregor. In: Knockaert, Yves, (ed.) Wolfgang Rihm, a Chiffre: the 1980s and beyond. Leuven University Press, Leuven, Belgium, pp. 11-17.

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2010) Hunting and forms: an interview with Wolfgang Rihm. In: Paddison, Max and Deliege, Irene, (eds.) Contemporary music: theoretical and philosophical perspectives. Ashgate Publishing, Surrey, UK, pp. 349-368.

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (1999) I am the rose of Sharon. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2014) In plain sight: aspects of developmental process in Sally Beamish's Seafarer trilogy. In: Musica Scotica 9th Annual Conference, 26-27 April 2014, University of Aberdeen, UK. (Unpublished)
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2020) In plain sight: aspects of developmental process in Sally Beamish's Seafarer trilogy. Scottish Music Review, 5 . pp. 87-111.
[thumbnail of McGregor_ In Plain Sight_ Aspects of Developmental Process in Sally Beamish's Seafarer Trilogy.pdf]
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2007) Interpreting compositional process in Wolfgang Rihm's Chiffre cycle. Frankfurter Zeitschrift für Musikwissenschaft, 10 . pp. 26-70.
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2007) James MacMillan: O Bone Jesu. Scottish Music Review, 2 (1).
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2007) James MacMillan: O Bone Jesu. In: Musica Scotica Conference, 28 April 2007, University of Glasgow, UK. (Unpublished)
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2006) La Balada de Agua del Mar. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2007) Let Thy Hand be Strengthened. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2020) MacMillan's 'Mission' and the Passion Settings. In: Parsons, George and Sholl, Robert, (eds.) James MacMillan Studies. Cambridge University Press, Cambridge, pp. 129-148.
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2008) Madrigales I and II. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2009) Magnificat for Corinna. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (1996) The Maxwell Davies sketch material in the British Library: an appendix. Tempo (197). pp. 20-22.
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2009) Maxwell Davies’s sources: reflections on origins, meanings and significance. In: Gloag, Kenneth and Jones, Nicholas, (eds.) Peter Maxwell Davies Studies. Cambridge Composer Studies . Cambridge University Press, Cambridge, UK, pp. 150-170.
[thumbnail of McGregor_AppendixII.pdf]
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2010) Muzyka Petera Maxwella Daviesa (Music by Peter Maxwell Davies). In: Kwiecińska, Agata, (ed.) Nowa muzyka brytyjska. sacrum+profanum/korporacja ha!art, Kraków, Poland.

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2000) Reading the runes. Perspectives of New Music, 38 (2). pp. 5-29.
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2000) Reading the runes: an introduction to the ‘secret’ alphabet of Peter Maxwell Davies. In: Research Fest 2000, June 2000, St Martin's College, Lancaster, UK. (Unpublished)

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2011) Rihm's Tutuguri Appendix 1. (Unpublished)
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2010) Rihm's Tutuguri Table. Online Publication .
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2009) Scots wha hae? James MacMillan and the paradoxes of Scottish cultural identity. In: Sixth Biennial International Conference on Music Since 1900, 2-5 July 2009, Keele University, UK. (Unpublished)
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2006) ‘Something rotten in the state of…’ (on the current state of music education). In: SMART Music Conference, May 2006, Greenwich, UK.

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2004) Star square and circle: aspects of compositional process in Peter Maxwell Davies's Ave Maris Stella. In: Max Day Mini Conference, December 2004, University of Manchester. (Unpublished)
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2006) Stepping out: Maxwell Davies’s ‘Salome’ as a transitional work. Tempo, 60 (236). pp. 2-12.

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2012) Towards a taxonomy of musical inspiration. Духовність особистості: методологія, теорія і практика (Personality Spirituality: Methodology, Theory and Practice), 1 . pp. 85-119.
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[thumbnail of Taxonomy_of_Inspiration_conference_paper_Feb_2008_under_peer_review.pdf]
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2007) ‘Transubstantiated into the musical…’ : a critical exegesis on metaphor and actuality in James MacMillan’s Veni Veni Emmanuel. In: Hair, Graham, (ed.) A companion to recent Scottish music: 1950 to the present. The Musica Scotica Trust, Glasgow, Scotland, pp. 21-43.
[thumbnail of Transubstantiated_in_the_Musical_conference_paper_conference_Apr_2006_freely_available_online.pdf]
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2010) Why is it so difficult to 'talk about' inspiration? In: Research and Scholarship Fest, 9 July 2010, University of Cumbria, UK. (Unpublished)

McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2018) Wolfgang Rihm: aspects of unity and diversity in his compositional processes. Contemporary Music Review, 36 (4). pp. 203-206.
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2018) ‘The blast has arrived at the body’: Wolfgang Rihm’s creative explosion of 1981. Contemporary Music Review, 36 (4). pp. 237-278.
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McGregor, Richard ORCID logoORCID: https://orcid.org/0000-0001-6685-2589 (2017) An interplay of passion and spirit: The Nightingale's to Blame. In: Charlton, David, (ed.) The music of Simon Holt. Boydell & Brewer, Woodbridge, UK, pp. 40-55.
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Millican, Jonathan (2019) Premiere of Composition 'I sing of a Maiden'. [Musical Composition] (Unpublished)

O

Oswari, Teddy, Yusnitasari, Tristyanti, Kusumawati, Reni Diah and Mittal, Saurabh (2020) Design and test music recommendation system for online music websites using collaborative filtering approach. International Journal of Digital Signals and Smart Systems, 4 (1-3). pp. 64-79.
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S

Sanchez, Xavier ORCID logoORCID: https://orcid.org/0000-0002-3498-0276, Moss, Samantha L., Twist, Craig and Karageorghis, Costas I. (2013) On the role of lyrics in the music–exercise performance relationship. Psychology of Sport and Exercise, 15 (1). pp. 132-138.
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T

Topping, Jane ORCID logoORCID: https://orcid.org/0000-0002-8148-6684 (2014) The women: 8 films. [Show/Exhibition] In: DISCORDIA: Generation 25 Years of Contemporary Art in Scotland, 14 June 2014 - 4 July 2014, The Poetry Club, Glasgow, UK.
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This list was generated on Tue Oct 3 14:53:14 2023 UTC.