Items where Author is "McGregor, Richard"

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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2024) The impetus to compose: where is fantasy bred? In: Corbett, George and Moerman, Sarah, (eds.) Music and spirituality: theological approaches, empirical methods, and Christian worship. Open Book Publishers, Cambridge, UK, pp. 255-270.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2023) The impetus to compose: where is fantasy bred? A search for personal spiritual understandings mediated by the work of several key 20th/21st century composers. In: Music & Spiritual Realities International Workshop, 19-21 June 2023, University of St Andrews, UK. (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2022) Songs that seem to come from nowhere: Composition: Inspiration and spirituality may share a common root but can we talk about them in the same breath? In: Music, Spirituality and Genre Study Day, 20 May 2022, University of Middlesex, UK. (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2022) Where did the Mad King come from? In: Maxwell Davies Study Day, 7 May 2022, University of Wales, Cardiff, UK. (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2021) ‘Benvenuto alla Resurrezione: or … multiple threads interweaving in Max’s music dramas’. In: Unmasking Max: Peter Maxwell Davies Study Day, 4 December 2021, Cardiff University, UK. (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2020) MacMillan's 'Mission' and the Passion Settings. In: Parsons, George and Sholl, Robert, (eds.) James MacMillan Studies. Cambridge University Press, Cambridge, pp. 129-148.
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Jones, Nicholas and McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2020) The music of Peter Maxwell Davies. Boydell & Brewer.

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2020) In plain sight: aspects of developmental process in Sally Beamish's Seafarer trilogy. Scottish Music Review, 5 . pp. 87-111.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2019) Mind games: Peter Maxwell Davies's music theatre works in context. Musiktheorie, 34 (4). pp. 292-320.

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2018) Wolfgang Rihm: aspects of unity and diversity in his compositional processes. Contemporary Music Review, 36 (4). pp. 203-206.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2018) ‘The blast has arrived at the body’: Wolfgang Rihm’s creative explosion of 1981. Contemporary Music Review, 36 (4). pp. 237-278.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2017) Foreword by Richard McGregor. In: Knockaert, Yves, (ed.) Wolfgang Rihm, a Chiffre: the 1980s and beyond. Leuven University Press, Leuven, Belgium, pp. 11-17.

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2017) An interplay of passion and spirit: The Nightingale's to Blame. In: Charlton, David, (ed.) The music of Simon Holt. Boydell & Brewer, Woodbridge, UK, pp. 40-55.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2014) In plain sight: aspects of developmental process in Sally Beamish's Seafarer trilogy. In: Musica Scotica 9th Annual Conference, 26-27 April 2014, University of Aberdeen, UK. (Unpublished)
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2012) Walking the line: deconstructing identity, suicide and betrayal in Peter Maxwell Davies ’Mr Emmet Takes a Walk'. Cambridge Opera Journal, 24 (3). pp. 319-351.

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2012) Towards a taxonomy of musical inspiration. Духовність особистості: методологія, теорія і практика (Personality Spirituality: Methodology, Theory and Practice), 1 . pp. 85-119.
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Elliott, David ORCID logo ORCID: https://orcid.org/0000-0003-4790-2354 , Polman, Remco and McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2011) Relaxing music for anxiety control. Journal of Music Therapy, 48 (3). pp. 264-288.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2011) 'Active Agony’ within Wolfgang Rihm’s Tutuguri and the 4th String Quartet. In: EuroMac VII European Music Analysis Conference, 29 September - 2 October 2011, Rome, Italy. (Unpublished)
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2011) "Is this a dagger I see before me?': the power of agency in the discussion and delivery of subject knowledge. In: TEAN Subject Knowledge Seminar, 14 January 2011, University of Cumbria, Lancaster, UK. (Unpublished)
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2011) Rihm's Tutuguri Appendix 1. (Unpublished)
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2010) Muzyka Petera Maxwella Daviesa (Music by Peter Maxwell Davies). In: Kwiecińska, Agata, (ed.) Nowa muzyka brytyjska. sacrum+profanum/korporacja ha!art, Kraków, Poland.

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2010) Hunting and forms: an interview with Wolfgang Rihm. In: Paddison, Max and Deliege, Irene, (eds.) Contemporary music: theoretical and philosophical perspectives. Ashgate Publishing, Surrey, UK, pp. 349-368.

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2010) Why is it so difficult to 'talk about' inspiration? In: Research and Scholarship Fest, 9 July 2010, University of Cumbria, UK. (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2010) Rihm's Tutuguri Table. Online Publication .
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2009) Scots wha hae? James MacMillan and the paradoxes of Scottish cultural identity. In: Sixth Biennial International Conference on Music Since 1900, 2-5 July 2009, Keele University, UK. (Unpublished)
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2009) Homecoming or outgoing: the challenges facing Scottish composers. In: Musica Scotica 2009, 25 April 2009, Royal Scottish Academy of Music and Drama, Glasgow, Scotland. (Unpublished)
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2009) Appendix II: source material used in the works of Peter Maxwell Davies, 1957–2006. In: Gloag, Kenneth and Jones, Nicholas, (eds.) Peter Maxwell Davies studies. Cambridge Composer Studies . Cambridge University Press, Cambridge, UK, pp. 242-254.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2009) Magnificat for Corinna. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2009) Maxwell Davies’s sources: reflections on origins, meanings and significance. In: Gloag, Kenneth and Jones, Nicholas, (eds.) Peter Maxwell Davies Studies. Cambridge Composer Studies . Cambridge University Press, Cambridge, UK, pp. 150-170.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2008) Moving away from the formula: changing the research frame through shared dialogue. In: Research Fest 2008, July 2008, University of Cumbria, UK. (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2008) Ave Maris Stella revisited. In: Musica Scotica's Fourth Annual Conference, 26 April 2008, University of Glasgow, Scotland. (Unpublished)
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2008) Madrigales I and II. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2008) The persistence of parody in the music of Peter Maxwell Davies. In: Elliott, Kenneth, (ed.) Proceedings from the 2005 and 2006 Musica Scotica Conferences. The Musica Scotica Trust, Glasgow, pp. 73-83.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2007) Fanfare “The University of Cumbria”. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2007) Let Thy Hand be Strengthened. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2007) Looking for inspiration. In: Inaugural lecture, 2 May 2007, University of Cumbria, UK. (Unpublished)
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2007) James MacMillan: O Bone Jesu. In: Musica Scotica Conference, 28 April 2007, University of Glasgow, UK. (Unpublished)
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2007) James MacMillan: O Bone Jesu. Scottish Music Review, 2 (1). pp. 88-114.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2007) Interpreting compositional process in Wolfgang Rihm's Chiffre cycle. Frankfurter Zeitschrift für Musikwissenschaft, 10 . pp. 26-70.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2007) ‘Transubstantiated into the musical…’ : a critical exegesis on metaphor and actuality in James MacMillan’s Veni Veni Emmanuel. In: Hair, Graham, (ed.) A companion to recent Scottish music: 1950 to the present. The Musica Scotica Trust, Glasgow, Scotland, pp. 21-43.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2006) ‘Something rotten in the state of…’ (on the current state of music education). In: SMART Music Conference, May 2006, Greenwich, UK.

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2006) Stepping out: Maxwell Davies’s ‘Salome’ as a transitional work. Tempo, 60 (236). pp. 2-12.

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2006) Canción Del Naranja Seco. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2006) Deseo. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2006) La Balada de Agua del Mar. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2005) Laus deo? On composers' expression of their spirituality. Spirituality and Health International, 6 (4). pp. 238-245.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2004) Star square and circle: aspects of compositional process in Peter Maxwell Davies's Ave Maris Stella. In: Max Day Mini Conference, December 2004, University of Manchester. (Unpublished)
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2004) For the Fallen. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2003) Breadth, depth or somewhere in between? Interpreting the compositional process in the music of Wolfgang Rihm. In: Conference, 2003, University of East Anglia, Norwich, UK. (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 , ed. (2000) Perspectives on Peter Maxwell Davies. Ashgate Publishing.

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2000) Reading the runes. Perspectives of New Music, 38 (2). pp. 5-29.
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McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (2000) Reading the runes: an introduction to the ‘secret’ alphabet of Peter Maxwell Davies. In: Research Fest 2000, June 2000, St Martin's College, Lancaster, UK. (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (1999) I am the rose of Sharon. [Musical Composition] (Unpublished)

McGregor, Richard ORCID logo ORCID: https://orcid.org/0000-0001-6685-2589 (1996) The Maxwell Davies sketch material in the British Library: an appendix. Tempo (197). pp. 20-22.
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