Wilson, Mark ORCID: https://orcid.org/0000-0003-4123-2118 and Snæbjörnsdóttir, Bryndís (2016) Feral attraction: the museum of ghost ruminants. [Artefact]
Item Type: | Artefact |
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Authors: | Wilson, Mark and Snæbjörnsdóttir, Bryndís |
Abstract: | Installation resulting from Snæbjörnsdóttir/Wilson's project of the same name exploring the fate of domestic animals transgressing the invisible and unspoken boundaries that separate landscapes of domesti-cation and wildness. (See also exhibitions at two venues, Listasafn ASÍ, Reykjavík in 2016 and Hnjotur Museum, Westfjörds, Iceland 2018-19 and book publication which draws together all research material gathered during the project including transcriptions of interviews of key people in the events together with documentation from the respective exhibitions). In October 2009, a small flock of feral sheep that had prevailed beyond human influence for over three decades in an inaccessible part of the Westfjords of Iceland was rounded up by a team of men and dogs from the neighbouring communities. Some nineteen sheep were caught, but five more perished as they ran off steep cliffs attempting to evade their captors. Despite (or perhaps because) the incident had caused so much public interest, all those caught were sent to the abattoir the following day. Prior to the round-up, observations were reported suggesting that some physiological adaptations in the sheep were evident. The opportunity to investigate a supposed increase in leg length was lost with the summary disposal of the carcasses. The incident serves to highlight several issues of contention regarding the ‘nature’ of landscapes; animal presences in these landscapes; and the preoccupations of humans with maintaining the boundaries between the wild and the domestic. There is a tension between what we hold culturally as being right and proper and what we observe as a bid by another agent to disrupt that order. At the heart of this case is something that may be dismissed by many to be of no great consequence. For us, in ways resonant with ideas proposed by Jane Bennett (2010) in her seminal book Vibrant Matter, it serves as a vital pointer to expose how human systems suppress the inclinations and capabilities of ‘things’, acknowledging instead only those qualities and capacities we have assigned them. Humans are often blind to the wills of those outside human systems whose actions do not correspond with, or seem at odds with, their own – who are simply not compliant in the human enterprise at hand. When the animal agent is one with which we technically coexist, (a domestic animal) the oversight seems particularly acute. A lack of porosity is evident – a resistance to ideas or indicators of change – a reactionary dismissal of knowledge concerning environment and the adaptability of denizens – the shaping of existence by environment – the capacity of discrete environments to model not only new biological permutations but to spawn new behavioural possibilities as a consequence of introductions or migration – a failure on the part of humans, still to acknowledge that a condition of ‘becoming’ is actually the norm – in nature, stability and material independence are illusory. |
Official URL: | https://snaebjornsdottirwilson.com/category/projec... |
Date: | 5 February 2016 |
Subject Headings: | 500 NATURAL SCIENCES & MATHEMATICS > 590 ANIMALS (ZOOLOGY) > 599 Mammals 500 NATURAL SCIENCES & MATHEMATICS > 570 LIFE SCIENCES (BIOLOGY, BIOCHEMISTRY, ECOLOGY) > 577 Ecology 600 TECHNOLOGY > 630 AGRICULTURE > 639 Hunting, fishing & conservation 700 ARTS & RECREATION (INCL. SPORT) > 700 ARTS & RECREATION (collections, philosophy & education) > 704 Special topics in fine & decorative arts |
Departments: | Academic Departments > Institute of Arts (IOA) > Fine Arts |
Depositing User: | Anna Lupton |
Date Deposited: | 08 Nov 2019 16:55 |
Last Modified: | 12 Jan 2024 15:16 |
URI: | https://insight.cumbria.ac.uk/id/eprint/5235 |
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