Items where Subject is "709 Historical, Geographic, Persons Treatment of Fine Decorative Arts"

Darwell, John (2014) Chernobyl volume 1. Chronicles, III . The Velvet Cell, Osaka, Japan.

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Darwell, John (2014) Chernobyl volume 2. Chronicles, III . The Velvet Cell, Osaka, Japan.

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Darwell, John (2014) Sheffield: in transition. Cafe Royal Books, Preston, UK.

Darwell, John (2014) Sheffield: the remains of some buildings around the Don Valley. Cafe Royal Books, Preston.

Darwell, John (2014) Sheffield: things seen whilst wandering around Attercliffe. Cafe Royal Books, Preston, UK.

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Dion, Mark and Williams, Robert (2014) Phylogenetic Trees. [Show/Exhibition] In: Mark Dion: Cosmographia, 11 September - 31 October 2014, Paris, France. (Unpublished)

Haywood, Mark (1998) Anonymous beauty. In: 14th Annual Conference of the South African Association of Art Historians, 15-17 July 1998, Pretoria, South Africa. (Unpublished)

Haywood, Mark (1999) Beauty, fast cars, sex, William Hogarth and… furniture. In: 15th Annual Conference of the South African Association of Art Historians, 24-26 September 1999, University of Natal, Pietermaritzburg.

Haywood, Mark (2002) From desire to design. In: Patrizio, Andrew, (ed.) 292: Essays in visual culture #3. Edinburgh College of Art, Edinburgh.

Haywood, Mark (2000) Meditations on a plinth, reflections in a gallery. In: Knox, Catherine, (ed.) Art: spaces and contexts of display: proceedings of the 16th annual conference of the South African Association of Art Historians, Rhodes University, Grahamstown, September 2000. South African Association of Art Historians (SAAAH), Grahamstown, South Africa.

Haywood, Mark (2004) Our Barn is Empty Again. [Show/Exhibition] In: Our Barn is Empty Again,, 2004, Glassonby, Cumbria.

Haywood, Mark (1999) Outside perspective. Rhodes University, Grahamstown, South Africa.

Haywood, Mark (2009) Those animals that are found in urban places. In: Younge, Gavin, Tully, Ann-Marie and Britz, Sonja, (eds.) Urban Animal. Art+ Text, Cape Town.

Haywood, Mark (2007) Vladimir Arkhipov: art and artefact. In: Aesthetics Bridging Cultures: XVIIth International Congress of Aesthetics,, July 2007, Middle Eastern Technical University, Ankara.

Haywood, Mark and Newall, Amanda (2006) Romantic Seduction and Power. [Show/Exhibition] In: Romantic Seduction and Power, site-specific installations, 2006, Ullswater and the UK Nuclear Decommissioning Authority HQ.

Snaebjornsdottir, Bryndis and Wilson, Mark (2004) Big mouth. Tramway, Glasgow, UK.

Topping, Jane (2014) 'Peter' premiere. [Show/Exhibition] In: 12th International Signes de Nuit, 15-21 September 2014, Studio des Ursulines & Institut Finlandais, Paris, France.

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Williams, Robert (1999) Disjecta reliquiae: the Tate Thames dig, 1999. In: Coles, Alex and Dion, Mark, (eds.) Archaeology. Black Dog Publishing, London, UK.

Williams, Robert (2015) Disjecta reliquiae: the Tate Thames dig, 1999. In: Lange-Berndt, Petra, (ed.) Materiality. Whitechapel: documents of contemporary art . Whitechapel Gallery / The MIT Press, London, UK / Cambridge, MA, USA, pp. 115-116.

Williams, Robert (2013) Even wilder talents: uncanny talking animals. In: Dodds, Andrew and Thurston, Nick, (eds.) I, Sparkie. Information as Material, York, UK, pp. 62-79.

Williams IV, Sandy and Loughran, Beth (2017) The Exhaustion Series (2015-2018) by Sandy Williams IV, Exhaustion ft. Beth Loughran. [Performance]

Wilson, Mark, Snaebjornsdottir, Bryndis and Aloi, Giovanni (2008) Nanoq: in conversation. Antennae: the journal of nature in visual culture (6). pp. 28-34.

Wilson, Mark, Snaebjornsdottir, Bryndis and Byatt, Lucy (2008) Flat out and bluesome. Antennae: the journal of nature in visual culture, 1 (6). pp. 21-27.