Conroy, Colette
ORCID: https://orcid.org/0000-0002-4455-7930
and Fryer, Nic
(2021)
Rancière and performance.
Performing philosophy
.
Rowman & Littlefield.
Full text not available from this repository.
Abstract
Jacques Rancière has been hugely influential in the field of political philosophy and aesthetics. This edited collection is the first to investigate the points of contact between the work of Rancière and the field of theatre and performance studies. Recent scholarly works in this discipline have drawn upon concepts from Rancière’s writing, from theatrocracy to emancipated spectators, to investigate problems of audience, participation, politics and aesthetics. Before these concepts and critical tools peel away from the works through which they emerged, this book seeks a detailed critical assessment of the works themselves and their implications for theatre and performance studies. The collection examines the critical and analytical interventions that have been made to date and looks forward towards challenges to the future uses of Rancière’s work in performance and theatre studies. It also considers a wide range of performance work, from a performance for the residents of a Victorian workhouse to the activist performances of Liberate Tate. This collection includes work by ten scholars and is an essential resource for researchers and academics working in areas of performance and aesthetics, performance and activism, and performance and philosophy.
| Item Type: | Book |
|---|---|
| Publisher: | Rowman & Littlefield |
| ISBN: | 9781538146576 |
| Departments: | Institute of Arts > Performing Arts |
| Additional Information: | Colette Conroy, Director of the Institute of Arts, University of Cumbria, UK. |
| Depositing User: | Colette Conroy |
| Date Deposited: | 08 Jun 2021 12:17 |
| Last Modified: | 13 Jan 2024 11:46 |
| URI: | https://insight.cumbria.ac.uk/id/eprint/6121 |
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