Between you, nanoq and me: reflections on the ambition and inadequacies of representation in the prepared skins of animals

Snaebjornsdottir, Bryndis and Wilson, Mark ORCID logo ORCID: https://orcid.org/0000-0003-4123-2118 (2011) Between you, nanoq and me: reflections on the ambition and inadequacies of representation in the prepared skins of animals. In: Cultures of Preservation : Taxidermy - Animal Skin and Colonial Practice, 13 May 2011, Natural History Museum, London. Full text not available from this repository.

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Abstract

This workshop will focus on power relations inherent in the technique itself: A precondition of the seeming liveliness of mounted specimens is the attempt to hide the work of the taxidermist. But more importantly this event would like to investigate how the artful arrangement of skin is linked to narratives of colonial supremacy and racial anthropology, to notions of "exploration", "discovery", and classification. It is planned to discuss historical modes of making as well as institutional display or the impact of emerging evolutionary and ecological theories. In this context special attention will be payed to the role artists have been playing since the beginning of the twentieth century in calling attention to the aesthetics and politics of natural history collections. Therefore, contemporary artistic strategies that formulate alternatives to these histories and their practices as well as issues of zoological curation, display and conservation will be considered.

Item Type: Conference or Workshop Item (Workshop)
Journal / Publication Title: n/a
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Departments: Academic Departments > Institute of Arts (IOA) > Fine Arts
Depositing User: Insight Administrator
Date Deposited: 02 Mar 2012 14:55
Last Modified: 12 Jan 2024 10:01
URI: https://insight.cumbria.ac.uk/id/eprint/1303
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